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Item Details
Title: THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
By: Mark Everist (Editor), Thomas Forrest Kelly (Editor)
Format: Multiple copy pack

List price: £218.00
Our price: £190.75
Discount:
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You save: £27.25
ISBN 10: 0521513480
ISBN 13: 9780521513487
Availability: Usually dispatched within 1-3 weeks.
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 31 January, 2018
Series: The Cambridge History of Music
Pages: 1226
Description: This book charts the origins, development and spread of medieval Western European music from late antiquity to the end of the fourteenth century.
Synopsis: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouveres and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collection.
Illustrations: 54 b/w illus. 276 music examples
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
Some other items by this author:
AMBROSIANA AT HARVARD (PB)
ANALYTICAL STRATEGIES AND MUSICAL INTERPRETATION (HB)
ANALYTICAL STRATEGIES AND MUSICAL INTERPRETATION (PB)
ARS ANTIQUA (HB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CAPTURING MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
DISCOVERING MEDIEVAL SONG
EARLY MUSIC: A VERY SHORT INTRODUCTION (PB)
EMBELLISHING THE LITURGY (HB)
EMPIRE AT THE OPERA
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
GENEALOGIES OF MUSIC AND MEMORY (HB)
GIACOMO MEYERBEER AND MUSIC DRAMA IN NINETEENTH-CENTURY PARIS (HB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MELISMA (HB)
MOZART'S GHOSTS (HB)
MUSIC DRAMA AT THE PARIS ODEON, 1824-1828
MUSIC DRAMA AT THE PARIS ODEON, 1824-1828 (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC, THEATER, AND CULTURAL TRANSFER (HB)
OPERA DE SALON (HB)
OPERA IN PARIS FROM THE EMPIRE TO THE COMMUNE
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
RETHINKING MUSIC (PB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE COMPANION TO MEDIEVAL MUSIC
THE CAMBRIDGE COMPANION TO MEDIEVAL MUSIC (HB)
THE CAMBRIDGE COMPANION TO MEDIEVAL MUSIC (PB)
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)
THE SOURCES OF BENEVENTAN CHANT (HB)

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