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Item Details
Title: ARS ANTIQUA
ORGANUM, CONDUCTUS, MOTET
By: Edward H. Roesner (Editor), Professor Thomas Forrest Kelly
Format: Hardback

List price: £290.00
Our price: £261.00
Discount:
10% off
You save: £29.00
ISBN 10: 0754626660
ISBN 13: 9780754626664
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 3 June, 2009
Series: Music in Medieval Europe
Pages: 538
Description: The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern 'art', an ars nova. This title features essays that address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre.
Synopsis: The ars antiqua began to be mentioned in writings about music in the early decades of the fourteenth century, where it was cited along with references to a more modern "art", an ars nova. It was understood by those who coined the notion to be rooted in the musical practices outlined in the Ars musica of Lambertus and, especially, the Ars cantus mensurabilis of Franco of Cologne. Directly or indirectly the essays collected in this volume all address one or more of the issues regarding ars antiqua polyphony-questions relating to the nature and definition of genre; the evolution of the polyphonic idiom; the workings of the creative process including the role of oral process and notation and the continuum between these extremes; questions about how this music was used and understood; and of how it fits into the intellectual life of the twelfth and thirteenth centuries. Some of the essays ask new questions or approach long-standing ones from fresh perspectives. All, however, are rooted in a line of scholarship that produced a body of writing of continuing relevance.
Illustrations: Illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
AMBROSIANA AT HARVARD (PB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CAPTURING MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
EARLY MUSIC: A VERY SHORT INTRODUCTION (PB)
EMBELLISHING THE LITURGY (HB)
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MELISMA (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)
THE SOURCES OF BENEVENTAN CHANT (HB)

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