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Item Details
Title: AMBROSIANA AT HARVARD
NEW SOURCES OF MILANESE CHANT
By: Professor Thomas Forrest Kelly (Editor), Matthew Mugmon (Editor)
Format: Paperback

List price: £29.95
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ISBN 10: 0981885802
ISBN 13: 9780981885803
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Publisher: HOUGHTON LIBRARY OF THE HARVARD COLLEGE LIBRARY
Pub. date: 2 July, 2010
Series: Houghton Library Studies 3
Pages: 400
Description: A collection of ten essays that constitutes the proceedings of a two-day conference which focused on three medieval manuscripts of Ambrosian chant owned by Houghton Library. It explores the manuscripts as physical objects and places them in their urban and historical contexts.
Synopsis: This collection of ten essays constitutes the proceedings of a two-day conference held at Harvard in October 2007. The conference focused on three medieval manuscripts of Ambrosian chant owned by Houghton Library. The Ambrosian liturgy and its music, practiced in and around medieval Milan, were rare regional survivors of the Catholic Church's attempt to adopt a universal Roman liturgy and the chant now known as Gregorian. Two of the manuscripts under scrutiny had been recently acquired (one perhaps the oldest surviving source of Ambrosian music), and the third manuscript, long held among the Library's collections of illuminated manuscripts, had been newly identified as Ambrosian. The generously illustrated essays gathered here represent the work of established experts and younger scholars. Together they explore the manuscripts as physical objects and place them in their urban and historical contexts, as well as in the musical and ecclesiastical context of Milan, Italy, and medieval Europe.
Illustrations: 120 color illustrations, 100 halftones
Publication: US
Imprint: Houghton Library of the Harvard College Library
Returns: Returnable
Some other items by this author:
AARON COPLAND AND THE AMERICAN LEGACY OF GUSTAV MAHLER (HB)
ARS ANTIQUA (HB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CAPTURING MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
EARLY MUSIC: A VERY SHORT INTRODUCTION (PB)
EMBELLISHING THE LITURGY (HB)
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)
THE SOURCES OF BENEVENTAN CHANT (HB)

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