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Item Details
| Title:
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RECLAIMING CRITICAL REMIX VIDEO
THE ROLE OF SAMPLING IN TRANSFORMATIVE WORKS |
| By: |
Owen Gallagher |
| Format: |
Hardback |
| List price:
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£145.00 |
| Our price: |
£130.50 |
| Discount: |
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| You save:
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£14.50 |
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| ISBN 10: |
1138285269 |
| ISBN 13: |
9781138285262 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
TAYLOR & FRANCIS LTD |
| Pub. date: |
22 November, 2017 |
| Series: |
Routledge Research in Cultural and Media Studies |
| Pages: |
280 |
| Synopsis: |
Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis. |
| Illustrations: |
48 Halftones, black and white; 16 Tables, black and white; 48 |
| Publication: |
UK |
| Imprint: |
Routledge |
| Returns: |
Returnable |
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