| Description: |
An annotated edition of Marlowe's much-studied drama of pasion and politics which gives students a wealth of contextual and critical insight as well as examining the play in performance. Marlowe's possible status as spy, atheist,double-agent, blasphemer, counterfeiter, and/or queer has made him seem not just of an age, but of our time as well. |
| Synopsis: |
Critically, theatrically, and politically, the time is ripe for a new edition of Christopher Marlowe's Edward II. Critically, the play has come to be, in the past several decades, a central document in histories and analyses of sexuality in early modern England, with the major figures in gay/queer history and literature of the period contributing to the discussion of male homoeroticism, same-sex friendship, and early modern sodomy in the play. Marlowe - and the relation of his life and death to his writing - has continued to generate interest and controversy among critics as well as the general reading public. At the same time, more traditional questions asked of the play- its contested status as history or tragedy, its status as an early exemplar of the history play, its relation to Shakespeare's histories-have continued to attract critical attention.Edited to the highest Arden standard, the edition gives students a modernised, comprehensively annotated text with a lengthy, illustrated introduction discussing the play's treatment of same-sex relationships both in Marlowe's day and our own, an analysis of the play in performance and in relation to other plays of the period, and a discussion of changing critical views of its themes of obsessive love, power and politics. |