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Item Details
Title: BEYOND THE SCORE
MUSIC AS PERFORMANCE
By: Nicholas Cook
Format: Hardback

List price: £60.00
Our price: £52.50
Discount:
12.5% off
You save: £7.50
ISBN 10: 0199357404
ISBN 13: 9780199357406
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS INC
Pub. date: 28 January, 2014
Pages: 480
Description: In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches.
Synopsis: In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context.Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Illustrations: 15 halftones, 7 tables, 21 graphs, 17 music examples
Publication: US
Imprint: Oxford University Press Inc
Returns: Returnable
Some other items by this author:
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
A GUIDE TO MUSICAL ANALYSIS (PB)
A GUIDE TO MUSICAL ANALYSIS (PB)
ANALYSING MUSICAL MULTIMEDIA (PB)
BEETHOVEN
BEETHOVEN (HB)
BEETHOVEN (PB)
DESIGNERS' GUIDE TO EN 1991-1.4 EUROCODE 1: ACTIONS ON STRUCTURES ( WIND ACTIONS) (HB)
EMPIRICAL MUSICOLOGY (HB)
EMPIRICAL MUSICOLOGY (PB)
MUSIC AS CREATIVE PRACTICE (HB)
MUSIC, ENCOUNTER, TOGETHERNESS (HB)
MUSIC, IMAGINATION, AND CULTURE (PB)
MUSIC, PERFORMANCE, MEANING (HB)
MUSIC: A VERY SHORT INTRODUCTION (PB)
RETHINKING MUSIC (PB)
TAKING IT TO THE BRIDGE (HB)
TAKING IT TO THE BRIDGE (PB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (HB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (PB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (HB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (PB)
THE SCHENKER PROJECT (HB)
THE SCHENKER PROJECT (PB)
THEORY INTO PRACTICE

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