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Item Details
Title: TAKING IT TO THE BRIDGE
MUSIC AS PERFORMANCE
By: Nicholas Cook (Editor), Richard Pettengill (Editor)
Format: Hardback

List price: £84.95
Our price: £84.95
ISBN 10: 0472071777
ISBN 13: 9780472071777
Availability: Publisher out of stock. This item may be subject to delays or cancellation.
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Stock: Currently 0 available
Publisher: THE UNIVERSITY OF MICHIGAN PRESS
Pub. date: 16 May, 2013
Pages: 392
Description: Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture
Synopsis: The overriding aim of this groundbreaking volume--whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead--is to give new recognition to performance as the core of musical culture. The collection brings together renowned scholars from performance studies and musicology (including Philip Auslander, David Borgo, Daphne Brooks, Nicholas Cook, Maria Delgado, Susan Fast, Dana Gooley, Philip Gossett, Jason King, Elisabeth Le Guin, Aida Mbowa, Ingrid Monson, Roger Moseley, Richard Pettengill, Joseph Roach, and Margaret Savilonia), with the intent of sparking a productive new dialogue on music as performance. Taking It to the Bridge<.em> is on the one hand a series of in-depth studies of a broad range of performance artists and genres, and on the other a contribution to ongoing methodological developments within the study of music, with the goal of bridging the approaches of musicology and performance studies, to enable a close, interpretive listening that combines the best of each.At the same time, by juxtaposing musical genres that range from pop and soul to the classics, and from world music to games and web-mediated performances, Taking It to the Bridge provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies.
Illustrations: Illustrations
Publication: US
Imprint: The University of Michigan Press
Returns: Returnable
Some other items by this author:
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
A GUIDE TO MUSICAL ANALYSIS (PB)
A GUIDE TO MUSICAL ANALYSIS (PB)
ANALYSING MUSICAL MULTIMEDIA (PB)
BEETHOVEN
BEETHOVEN (HB)
BEETHOVEN (PB)
BEYOND THE SCORE (HB)
DESIGNERS' GUIDE TO EN 1991-1.4 EUROCODE 1: ACTIONS ON STRUCTURES ( WIND ACTIONS) (HB)
EMPIRICAL MUSICOLOGY (HB)
EMPIRICAL MUSICOLOGY (PB)
MUSIC AS CREATIVE PRACTICE (HB)
MUSIC, ENCOUNTER, TOGETHERNESS (HB)
MUSIC, IMAGINATION, AND CULTURE (PB)
MUSIC, PERFORMANCE, MEANING (HB)
MUSIC: A VERY SHORT INTRODUCTION (PB)
RETHINKING MUSIC (PB)
TAKING IT TO THE BRIDGE (PB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (HB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (PB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (HB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (PB)
THE SCHENKER PROJECT (HB)
THE SCHENKER PROJECT (PB)
THEATRE (HB)
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