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Item Details
Title: CONCEPTUAL ART AND THE POLITICS OF PUBLICITY
By: Alexander Alberro
Format: Paperback

List price: £28.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0262511843
ISBN 13: 9780262511841
Publisher: MIT PRESS LTD
Pub. date: 17 September, 2004
Series: Conceptual Art and the Politics of Publicity
Pages: 256
Description: An examination of the origins and legacy of the conceptual art movement.
Synopsis: Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising.Alberro draws on close readings of artworks produced by key conceptual artists in the mid- to late 1960s. He places the movement in the social context of the rebellion against existing cultural institutions, as well as the increased commercialization and globalization of the art world. The book ends with a discussion of one of Siegelaub's most material and least ephemeral contributions, the Artist's Reserved Rights Transfer and Sale Agreement, which he wrote between 1969 and 1971. Designed to limit the inordinate control of collectors, galleries, and museums by increasing the artist's rights, the Agreement unwittingly codified the overlap between capitalism and the arts.
Illustrations: 52 illus.
Publication: US
Imprint: MIT Press
Returns: Returnable
Some other items by this author:
ABSTRACTION IN REVERSE (HB)
ART AFTER CONCEPTUAL ART (PB)
AVANT-GARDE IN THE BLOC (PB)
CONCEPTUAL ART (PB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (HB)
DAN GRAHAM (PB)
INSTITUTIONAL CRITIQUE (PB)
JOHN MILLER (PB)
JOHN MILLER (PB)
LAWRENCE WEINER (PB)
LYGIA PAPE (HB)
MARTA MINUJIN - MINUCODES (PB)
MONICA BONVICINI (PB)
MUSEUM HIGHLIGHTS (PB)
PARACHUTE (PB)
PARACHUTE (PB)
PATRICK IRELAND (PB)
PIERRE BISMUTH (HB)
RECORDING CONCEPTUAL ART
RECORDING CONCEPTUAL ART (PB)
RENEE GREEN (PB)
ROBERT SMITHSON (HB)
ROBERT SMITHSON (PB)
SOUTH AS A STATE OF MIND (PB)
SOUTH AS A STATE OF MIND (PB)
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971 (FF)
THE ARTIST AS CURATOR (PB)
TRACING CULTURES (PB)
TWO-WAY MIRROR POWER (PB)
WESTERN RECORDING (PB)
WORKING CONDITIONS (HB)

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