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Item Details
Title: ART AFTER CONCEPTUAL ART
By: Alexander Alberro (Editor), Sabeth Buchmann (Editor)
Format: Paperback

List price: £45.00
Our price: £32.85
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ISBN 10: 0262511959
ISBN 13: 9780262511957
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Publisher: MIT PRESS LTD
Pub. date: 28 September, 2006
Series: Art After Conceptual Art
Pages: 240
Description: Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s.
Synopsis: Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art.Distributed for the Generali Foundation, Vienna.
Illustrations: 55 b&w illus.
Publication: US
Imprint: MIT Press
Returns: Non-returnable
Some other items by this author:
A BOOK ABOUT COLLECTING AND EXHIBITING CONCEPTUAL ART AFTER CONCEPTUAL ART (HB)
ABSTRACTION IN REVERSE (HB)
AVANT-GARDE IN THE BLOC (PB)
CONCEPTUAL ART (PB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (HB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (PB)
DAN GRAHAM (PB)
ESER (PB)
HELIO OITICICA AND NEVILLE D'ALMEIDA (HB)
HELIO OITICICA AND NEVILLE D'ALMEIDA (PB)
INSTITUTIONAL CRITIQUE (PB)
JOHN MILLER (PB)
JOHN MILLER (PB)
LAWRENCE WEINER (PB)
LYGIA PAPE (HB)
MANFRED PERNICE (PB)
MARTA MINUJIN - MINUCODES (PB)
MICHAEL BEUTLER (PB)
MODERNISM AS A RUIN (HB)
MONICA BONVICINI (PB)
MUSEUM HIGHLIGHTS (PB)
PARACHUTE (PB)
PARACHUTE (PB)
PATRICK IRELAND (PB)
PIERRE BISMUTH (HB)
PUTTING REHEARSALS TO THE TEST - PRACTICES OF REHEARSAL IN FINE ARTS, FILM, THEATER, THEORY, POLITIC (PB)
RECORDING CONCEPTUAL ART
RECORDING CONCEPTUAL ART (PB)
RENEE GREEN (PB)
ROBERT SMITHSON (HB)
ROBERT SMITHSON (PB)
SOUTH AS A STATE OF MIND (PB)
SOUTH AS A STATE OF MIND (PB)
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971 (FF)
THE ARTIST AS CURATOR (PB)
THE EVERYWHERE STUDIO (HB)
TO EXPOSE, TO SHOW, TO DEMONSTRATE, TO INFORM, TO OFFER (PB)
TRACING CULTURES (PB)
TWO-WAY MIRROR POWER (PB)
UNEXHIBIT (HB)
VALIE EXPORT (PB)
WESTERN RECORDING (PB)
WORKING CONDITIONS (HB)

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