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Item Details
Title: FILM AND VIDEO CENSORSHIP IN MODERN BRITAIN
By: Julian Petley
Format: Hardback

List price: £100.00
Our price: £82.50
Discount:
17.5% off
You save: £17.50
ISBN 10: 0748625380
ISBN 13: 9780748625383
Availability: Reprinting. This item may be subject to delays or cancellation.
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Stock: Currently 0 available
Publisher: EDINBURGH UNIVERSITY PRESS
Pub. date: 1 May, 2011
Pages: 240
Description: Why and how film and video censorship has developed in Britain since the birth of the domestic video industry in 1979.
Synopsis: How does film and video censorship operate in Britain? Why does it exist? And is too strict? Starting in 1979, the birth of the domestic video industry - and the first year of the Thatcher government - this critical study explains how the censorship of films both in cinemas and on video and DVD has developed in Britain. As well as presenting a detailed analysis of the workings of the British Board of Film Classification, Petley casts his gaze well beyond the BBFC to analyse the forces which the Board has to take into account when classifying and censoring. These range from laws such as the Video Recordings Act and Obscene Publications Act, and how these are enforced by the police and Crown Prosecution Service and interpreted by the courts, to government policy on matters such as pornography.In discussing a climate heavily coloured by 30 years of lurid 'video nasty' stories propagated by a press which is at once censorious and sensationalist and which has played a key role in bringing about and legitimating one of the strictest systems of film and video/DVD censorship in Europe, this book is notable for the breadth of its contextual analysis, its critical stance and its suggestions for reform of the present system. Key features include: * Detailed case studies of individual instances of censorship, including Last House on the Left, sex videos in the R18 category, and press-inspired campaigns against films such as Child's Play 3 and Crash. * Interviews with central figures * The author's own contemporaneous reports on key moments in the censorship process.
Illustrations: 1 black & white line drawings, 1 black and white cartoon illustration
Publication: UK
Imprint: Edinburgh University Press
Returns: Returnable
Some other items by this author:
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA (HB)
BRITISH HORROR CINEMA (PB)
CENSORING THE MOVING IMAGE (HB)
CENSORING THE WORD (HB)
CENSORIOUS PRESS
CENSORIOUS PRESS (HB)
CENSORSHIP
CENSORSHIP
CENSORSHIP (PB)
CULTURE WARS (HB)
CULTURE WARS (PB)
CULTURE WARS (PB)
FILM AND VIDEO CENSORSHIP IN MODERN BRITAIN (PB)
FILM IN BRITAIN IN THE NEW MILLENNIUM (PB)
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS (HB)
ILL EFFECTS (PB)
JOURNALISM (PB)
MEDIA AND PUBLIC SHAMING (HB)
MEDIA AND PUBLIC SHAMING (PB)
MORAL PANICS IN THE CONTEMPORARY WORLD (HB)
MORAL PANICS IN THE CONTEMPORARY WORLD (PB)
POINTING THE FINGER
POINTING THE FINGER (HB)
POINTING THE FINGER (PB)
SHOCKERS! (HB)
SHOCKERS! (PB)
TELEVISION NEWS, POLITICS AND YOUNG PEOPLE
TELEVISION NEWS, POLITICS AND YOUNG PEOPLE (HB)

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