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Item Details
Title: CENSORING THE MOVING IMAGE
By: Philip French, Julian Petley
Format: Hardback

List price: £15.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 1905422555
ISBN 13: 9781905422555
Publisher: SEAGULL BOOKS LONDON LTD
Series: Manifestos for the Twenty-first Century
Pages: 128
Description: In the West, the debates over censorship in film have usually focused on sex and violence, but censorship for political and religious reasons is a reality in many parts of the world, and film-makers often risk imprisonment or death. This title presents the savage and history of film and censorship.
Synopsis: "Manifestos for the Twenty-first Century" is a "Seagull Series" created in collaboration with "Index on Censorship", a home and a voice for freedom of expression since it was founded in 1972. Film's power to move, to disturb, to terrify is unlike that of any other medium. This is why, throughout its history, Film has been feared, controlled and censored as well as celebrated. The notion that censorship was necessary - to preserve society, to protect people from each other, to save ourselves from our baser instincts - has been widely held by all levels of society. But, as the first great mass medium, cinema provided politicians and other guardians of morality with their prime target for censorship in the 20th Century.In the West, the debates over censorship in film have usually focused on sex and violence, but censorship for political and religious reasons is still a reality in many parts of the world, and film-makers still often risk imprisonment or death. Analysing how film audiences have been treated like children and filmmakers as potential enemies of the state, Julian Petley and Philip French present the savage and ongoing history of film and censorship.
Illustrations: 8 bw illus
Publication: UK
Imprint: Seagull Books London Ltd
Returns: Returnable
Some other items by this author:
AGE OF AUSTERITY (PB)
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA
BRITISH HORROR CINEMA (HB)
BRITISH HORROR CINEMA (PB)
CENSORING THE WORD (HB)
CENSORIOUS PRESS
CENSORIOUS PRESS (HB)
CENSORSHIP
CENSORSHIP
CENSORSHIP (PB)
COLLECTED REVIEWS (PB)
CULTURE WARS (HB)
CULTURE WARS (PB)
CULTURE WARS (PB)
DARIO ARGENTO (PB)
EXORCIST
FILM AND VIDEO CENSORSHIP IN MODERN BRITAIN (HB)
FILM AND VIDEO CENSORSHIP IN MODERN BRITAIN (PB)
FILM IN BRITAIN IN THE NEW MILLENNIUM (PB)
HATCHET JOB
HATCHET JOB (HB)
HATCHET JOB (PB)
HATCHET JOB (PB)
HITCHCOCK LOST AND FOUND
HITCHCOCK LOST AND FOUND
HITCHCOCK LOST AND FOUND (HB)
HOW DOES IT FEEL?
HOW DOES IT FEEL? (HB)
HOW DOES IT FEEL? (PB)
I FOUND IT AT THE MOVIES
I FOUND IT AT THE MOVIES (PB)
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS
ILL EFFECTS (HB)
ILL EFFECTS (PB)
IT'S ONLY A MOVIE
IT'S ONLY A MOVIE (PB)
JOURNALISM (PB)
MALLE ON MALLE (HB)
MALLE ON MALLE (PB)
MEDIA AND PUBLIC SHAMING (HB)
MEDIA AND PUBLIC SHAMING (PB)
MORAL PANICS IN THE CONTEMPORARY WORLD (HB)
MORAL PANICS IN THE CONTEMPORARY WORLD (PB)
MY LIFE AS A DOG (PB)
NOTES FROM THE DREAM HOUSE (PB)
POINTING THE FINGER
POINTING THE FINGER (HB)
POINTING THE FINGER (PB)
SHOCKERS! (HB)
SHOCKERS! (PB)
SILENT RUNNING (PB)
TELEVISION NEWS, POLITICS AND YOUNG PEOPLE
TELEVISION NEWS, POLITICS AND YOUNG PEOPLE (HB)
THE EXORCIST (PB)
THE GOOD, THE BAD AND THE MULTIPLEX
THE GOOD, THE BAD AND THE MULTIPLEX (PB)
THE GOOD, THE BAD AND THE MULTIPLEX (PB)
THE MOVIE DOCTORS
THE MOVIE DOCTORS (HB)
THE MOVIE DOCTORS (PB)
THE SHAWSHANK REDEMPTION (PB)
THE WESTERN (PB)
WESTERNS
WILD STRAWBERRIES (PB)

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