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Item Details
Title: RESEARCH METHODS IN THEATRE AND PERFORMANCE
By: Baz Kershaw (Editor), Helen Nicholson (Editor)
Format: Hardback

List price: £100.00
Our price: £82.50
Discount:
17.5% off
You save: £17.50
ISBN 10: 0748641580
ISBN 13: 9780748641581
Availability: Usually dispatched within 1-3 weeks.
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Publisher: EDINBURGH UNIVERSITY PRESS
Pub. date: 1 May, 2010
Series: Research Methods for the Arts and Humanities
Pages: 256
Description: How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions.
Synopsis: How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions. Challenging and debating received research wisdom and exploring innovative procedures for rigorous enquiry via archives, technology, practice-as-research, scenography, performer training, applied theatre/performance, body in performance and more, they create a focussed compendium of future research options. Key Features * Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings. * Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets. * Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary. * Contributors include: Maggie B.Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).
Illustrations: 16 black & white illustrations
Publication: UK
Imprint: Edinburgh University Press
Returns: Non-returnable
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MAKING A PERFORMANCE
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PALGRAVE ADVANCES IN THE CRUSADES (HB)
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PRACTICE-AS-RESEARCH (HB)
RESEARCH METHODS IN THEATRE AND PERFORMANCE (PB)
SYBIL (HB)
TEACHING DRAMA 11-18
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THE CAMBRIDGE HISTORY OF BRITISH THEATRE (HB)
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THE CHRONICLE OF THE THIRD CRUSADE (PB)
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THE DEBATE ON THE TRIAL OF THE TEMPLARS (1307-1314)
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THE POLITICS OF PERFORMANCE
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THE RADICAL IN PERFORMANCE
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