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Item Details
Title: NARRATIVES OF AGENCY
SELF-MAKING IN CHINA, INDIA AND JAPAN
By: Wimal Dissanayake (Editor)
Format: Hardback

List price: £55.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0816626561
ISBN 13: 9780816626564
Publisher: UNIVERSITY OF MINNESOTA PRESS
Pub. date: 1 April, 1996
Pages: 272
Description: Underlining the importance of understanding the operations of human agency, this work emphasizes the cultural and historical conditions that facilitate the production of agency in an effort to gain a deeper understanding of the cultures of China, Japan and India.
Synopsis: This collection underlines the importance of understanding the operations of human agency - defined here as the ability to exert power, specifically in resistance to ideological pressure. In particular, the contributors emphasize the historical and cultural conditions that facilitate the production of agency in an effort to gain a deeper understanding of the cultures of China, India, and Japan. The contributors argue that traditional Western approaches to the study of these cultures have unduly focused on the pervasive influence of family and clan (China), caste and fatalism (India), and groupism (Japan), reminding us that members of a community have to make personal choices, struggle and interact with others, and confront new challenges, all of which involve intentionality and human agency.
Publication: US
Imprint: University of Minnesota Press
Returns: Non-returnable
Some other items by this author:
A PLACE OF ONE'S OWN (PB)
ASIAN CINEMA (HB)
ASIAN CINEMA (PB)
CINEMA AND CULTURAL IDENTITY (HB)
CINEMA AND CULTURAL IDENTITY (PB)
COLONIALISM AND NATIONALISM IN ASIAN CINEMA
COLONIALISM AND NATIONALISM IN ASIAN CINEMA (HB)
CONTINUITY AND CHANGE IN COMMUNICATION SYSTEMS (HB)
ENABLING TRADITIONS (PB)
FROM AAN TO LAGAAN AND BEYOND
FROM AAN TO LAGAAN AND BEYOND (PB)
GLOBAL/LOCAL (HB)
GLOBAL/LOCAL (PB)
INDIAN POPULAR CINEMA (PB)
INDIAN POPULAR CINEMA (PB)
MELODRAMA AND ASIAN CINEMA
MELODRAMA AND ASIAN CINEMA (HB)
MELODRAMA AND ASIAN CINEMA (PB)
NARRATIVES OF AGENCY (PB)
NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT
NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT (HB)
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA (HB)
POPULAR CULTURE IN A GLOBALISED INDIA (PB)
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA (HB)
RETHINKING THIRD CINEMA (PB)
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS (HB)
SAFETY CRIMES
SELF AND COLONIAL DESIRE (HB)
SELF AND DECEPTION (HB)
SELF AND DECEPTION (PB)
SELF AS BODY IN ASIAN THEORY AND PRACTICE (HB)
SELF AS BODY IN ASIAN THEORY AND PRACTICE (PB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (HB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (PB)
SELF AS PERSON IN ASIAN THEORY AND PRACTICE (HB)
SELF AS PERSON IN ASIAN THEORY AND PRACTICE (PB)
SIGHTS OF CONTESTATION: LOCALISM, GLOBALISM AND CULTURAL PRODUCTION IN ASIA AND THE PACIFIC (PB)
TRANSNATIONAL ASIA PACIFIC (PB)
WONG KAR-WAI'S ASHES OF TIME (HB)
WONG KAR-WAI'S ASHES OF TIME (PB)

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