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Item Details
Title: FROM AAN TO LAGAAN AND BEYOND
A GUIDE TO THE STUDY OF INDIAN CINEMA
By: K. Moti Gokulsing, Wimal Dissanayake
Format: Electronic book text

List price: £24.99


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ISBN 10: 1858565693
ISBN 13: 9781858565699
Publisher: TRENTHAM BOOKS LTD
Pub. date: 31 January, 2012
Edition: New ed.
Pages: 209
Synopsis: This authoritative and accessible guide to the study of Indian Cinema is the first designed specifically to help students understand the complexities and intricacies of studying Indian cinema. It covers the vast range of cinemas of India, including the meteoric rise of Bollywood, and describes the important theoretical approaches to the analysis of films, such as the cinematic audience and audience segmentation. The book examines the filmmaking process to show how an Indian movie is made and the technology entailed. All the major issues are discussed: the relationship between cast and crew, the contributions of the designers and choreographers, the impact of the corporatisation of the film industry, censorship, taxation, insurance and advertising. From Aan to Langaan and beyond will help students make sense of the complexities and intricacies of Indian cinema. With the help of case studies of filmic analysis, it will equip them with the theoretical approaches and concepts they require for analysing Indian film. And with its comprehensive coverage, extensive bibliography and suggestions for further reading, its discussion of pedagogical issues about the teaching of Indian cinema and its sample questions, teachers too will find the book an indispensible resource for teaching Indian cinema.
Publication: UK
Imprint: Trentham Books Ltd
Returns: Non-returnable
Some other items by this author:
A PLACE OF ONE'S OWN (PB)
ASIAN CINEMA (HB)
ASIAN CINEMA (PB)
CINEMA AND CULTURAL IDENTITY (HB)
CINEMA AND CULTURAL IDENTITY (PB)
COLONIALISM AND NATIONALISM IN ASIAN CINEMA
COLONIALISM AND NATIONALISM IN ASIAN CINEMA (HB)
CONTINUITY AND CHANGE IN COMMUNICATION SYSTEMS (HB)
ENABLING TRADITIONS (PB)
FROM AAN TO LAGAAN AND BEYOND (PB)
GLOBAL/LOCAL (HB)
GLOBAL/LOCAL (PB)
INDIAN POPULAR CINEMA (PB)
INDIAN POPULAR CINEMA (PB)
MASCULINITY AND ITS CHALLENGES IN INDIA (PB)
MELODRAMA AND ASIAN CINEMA
MELODRAMA AND ASIAN CINEMA (HB)
MELODRAMA AND ASIAN CINEMA (PB)
NARRATIVES OF AGENCY (HB)
NARRATIVES OF AGENCY (PB)
NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT
NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT (HB)
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA (HB)
POPULAR CULTURE IN A GLOBALISED INDIA (PB)
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA (HB)
RETHINKING THIRD CINEMA (PB)
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS (HB)
SAFETY CRIMES
SELF AND COLONIAL DESIRE (HB)
SELF AND DECEPTION (HB)
SELF AND DECEPTION (PB)
SELF AS BODY IN ASIAN THEORY AND PRACTICE (HB)
SELF AS BODY IN ASIAN THEORY AND PRACTICE (PB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (HB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (PB)
SELF AS PERSON IN ASIAN THEORY AND PRACTICE (HB)
SELF AS PERSON IN ASIAN THEORY AND PRACTICE (PB)
SIGHTS OF CONTESTATION: LOCALISM, GLOBALISM AND CULTURAL PRODUCTION IN ASIA AND THE PACIFIC (PB)
SOFT-SOAPING INDIA (PB)
THE NEW SHAPE OF UNIVERSITY EDUCATION IN ENGLAND (HB)
TRANSNATIONAL ASIA PACIFIC (PB)
USABLE KNOWLEDGES AS THE GOAL OF UNIVERSITY EDUCATION (HB)
WONG KAR-WAI'S ASHES OF TIME (HB)
WONG KAR-WAI'S ASHES OF TIME (PB)

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