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Item Details
Title: TRANSATLANTIC CROSSINGS
BRITISH FEATURE FILMS IN THE USA
By: Sarah Street
Format: Paperback

List price: £36.99


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ISBN 10: 082641396X
ISBN 13: 9780826413963
Publisher: BLOOMSBURY PUBLISHING PLC
Pub. date: 1 June, 2002
Series: Rethinking British cinema
Pages: 256
Description: This is the first major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, it draws on a wide range of sources including studio records, film posters, press books and statistics.
Synopsis: This is the first major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the relative strength of Hollywood made it difficult for films which crossed the Atlantic, Street's research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyses conditions that facilitated a positive reception from critics, censors, exhibitors and audiences. Case studies include "Nell Gwyn" (1926), "The Private Life of Henry VIII" (1933), "The Ghost Goes West" (1935), "Henry V" (1946), "Black Narcissus" (1947), "The Red Shoes" (1948), Ealing comedies, "The Horror of Dracula" (1958), "Tom Jones" (1963), "A Hard Day's Night" (1964), "Goldfinger" (1964), "The Remains of the Day" (1993), "Four Weddings and a Funeral" (1994) and "Trainspotting" (1996).Against a background of the economic history of the British and Hollywood film industries, this book considers the many questions surrounding the history of British films in the USA, their relevance to wider issues of Anglo-American relations and to notions of "Britishness" on screen.
Illustrations: facsimiles, , portraits
Publication: UK
Imprint: Continuum International Publishing Group Ltd.
Returns: Returnable
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BLACK NARCISSUS (PB)
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BRITISH CINEMA IN DOCUMENTS (PB)
BRITISH COLOUR CINEMA (HB)
BRITISH COLOUR CINEMA (PB)
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA
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BRITISH NATIONAL CINEMA
BRITISH NATIONAL CINEMA (HB)
BRITISH NATIONAL CINEMA (PB)
BRITISH NATIONAL CINEMA (PB)
CHROMATIC MODERNITY
CHROMATIC MODERNITY (HB)
COLOR AND THE MOVING IMAGE
COLOR AND THE MOVING IMAGE
COLOR AND THE MOVING IMAGE
COLOR AND THE MOVING IMAGE (HB)
COLOR AND THE MOVING IMAGE (PB)
COLOUR FILMS IN BRITAIN
COLOUR FILMS IN BRITAIN (HB)
COLOUR FILMS IN BRITAIN (HB)
COLOUR FILMS IN BRITAIN (PB)
COSTUME AND CINEMA (PB)
DEBORAH KERR (PB)
DOCUMENTS OF BRITISH CINEMA (HB)
EUROPEAN CINEMA (HB)
EUROPEAN CINEMA (PB)
FILM ARCHITECTURE AND THE TRANSNATIONAL IMAGINATION
FILM ARCHITECTURE AND THE TRANSNATIONAL IMAGINATION
FILM ARCHITECTURE AND THE TRANSNATIONAL IMAGINATION (PB)
MOVING PERFORMANCE (HB)
PINEWOOD (HB)
QUEER SCREEN (HB)
QUEER SCREEN (PB)
THE TITANIC IN MYTH AND MEMORY (HB)
THE TITANIC IN MYTH AND MEMORY (PB)
TOWARD A PSYCHOLOGY OF SITUATIONS
TRANSATLANTIC CROSSINGS
TRANSATLANTIC CROSSINGS (HB)

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