| Title:
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FILM ARCHITECTURE AND THE TRANSNATIONAL IMAGINATION
SET DESIGN IN 1930S EUROPEAN CINEMA |
| By: |
Tim Bergfelder, Sue Harris, Sarah Street |
| Format: |
Electronic book text |
| List price:
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£24.95 |
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| ISBN 10: |
9048501792 |
| ISBN 13: |
9789048501793 |
| Publisher: |
AMSTERDAM UNIVERSITY PRESS |
| Pub. date: |
12 June, 2007 |
| Series: |
Film Culture in Transition |
| Pages: |
320 |
| Description: |
First comparative study of European film set design in the late 1920s and 1930. |
| Synopsis: |
Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of transnational artistic collaboration during this period. European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cinematic production design during this period, and its influence on subsequent filmmaking patterns. This title is available in the OAPEN Library - http://www.oapen.org. |
| Illustrations: |
105 illustrations |
| Publication: |
Netherlands |
| Imprint: |
Amsterdam University Press |
| Returns: |
Non-returnable |