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Item Details
Title: THE PLACE OF THE AUDIENCE: CULTURAL GEOGRAPHIES OF FILM CONSUMPTION
By: Lucy Faire, Sarah Stubbings
Format: Paperback

List price: £33.99


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ISBN 10: 0851709427
ISBN 13: 9780851709420
Publisher: BRITISH FILM INSTITUTE
Pub. date: 28 April, 2003
Pages: 288
Description: Examines the meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, television transmission, video rental/retail, and satellite/cable) and the meanings of the activities of film consumption associated with these sites.
Synopsis: It has been a recurring complaint both within and against film studies that it has largely ignored the activities of audiences. This book aims to address this absence (as compared to television studies) and to explain its cause. The authors argue that there is a social context in which the consumption of film can be understood or studied historically; demonstrating that a concentration on the place of film consumption within the changing cultural politics of the city can offer a compelling and productive focus of analysis. This book examines not only the different meanings of different sites of film exhibition and distribution (city-centre cinemas, local cinemas, art-house cinemas, multiplexes, terrestrial television transmission, video rental and retail, and satellite/cable), but also the meanings of the activities of film consumption associated with these sites. Through use of archival materials and ethnographic studies of the audience, the book examines the meanings of film consumption from the earliest film showings up to the 21st century.
Illustrations: 288 p.
Publication: UK
Imprint: BFI Publishing
Returns: Returnable
Some other items by this author:
APPROACHES TO POPULAR FILM (HB)
APPROACHES TO POPULAR FILM (PB)
CINEMATIC COUNTRYSIDES (HB)
CINEMATIC COUNTRYSIDES (PB)
COMIC POLITICS (HB)
DEFINING CULT MOVIES (HB)
DEFINING CULT MOVIES (PB)
FILM AND COMIC BOOKS (HB)
FILM AND COMIC BOOKS (PB)
FILM HISTORIES (HB)
FILM HISTORIES (HB)
FILM HISTORIES (PB)
FILM HISTORIES (PB)
FILM STARS (PB)
FILM STUDIES READER (PB)
GROWING UP WITH AUDREY HEPBURN (PB)
HOLLYWOOD HYPE AND AUDIENCES (PB)
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER (HB)
HORROR, THE FILM READER (PB)
INTERPRETING ROCK MOVIES (HB)
INTERPRETING ROCK MOVIES (PB)
MEMORY AND POPULAR FILM
MEMORY AND POPULAR FILM (PB)
MONSTERS IN THE CLOSET (PB)
NEW HOLLYWOOD VIOLENCE (PB)
QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (PB)
REALISM AND POPULAR CINEMA (PB)
RESEARCH METHODS FOR HISTORY (HB)
RESEARCH METHODS FOR HISTORY (HB)
RESEARCH METHODS FOR HISTORY (PB)
RESEARCH METHODS FOR HISTORY (PB)
SPANISH POPULAR CINEMA (PB)
THE CULTURAL POLITICS OF THE NEW CRITICISM
THE CULTURAL POLITICS OF THE NEW CRITICISM (HB)
THE CULTURAL POLITICS OF THE NEW CRITICISM (PB)
THE DOLBY ERA (PB)
THE NEW AVENGERS (PB)
THE PLACE OF THE AUDIENCE (HB)
THE SHIFTING DEFINITIONS OF GENRE (PB)
TRASH OR TREASURE (HB)
TRASH OR TREASURE (PB)

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