A PRACTICAL GUIDE TO STAGE LIGHTING THIRD EDITION

A PRACTICAL GUIDE TO STAGE LIGHTING THIRD EDITION

AFTER & BEFORE - DOCUMENTING THE A-BOMB (HB)

AFTER HIROSHIMA (HB)

ANNE MADDEN (PB)

ART AND GLOBALIZATION (HB)

ART AND GLOBALIZATION (PB)

ART CRITIQUES

ART CRITIQUES

ART CRITIQUES (PB)

ART HISTORY VERSUS AESTHETICS

ART HISTORY VERSUS AESTHETICS

ART HISTORY VERSUS AESTHETICS

ART HISTORY VERSUS AESTHETICS (HB)

ART HISTORY VERSUS AESTHETICS (PB)

ARTISTS WITH PHDS

ARTISTS WITH PHDS (PB)

BEYOND THE AESTHETIC AND THE ANTI-AESTHETIC (HB)

BEYOND THE AESTHETIC AND THE ANTI-AESTHETIC (PB)

BLIND SPOT (HB)

BONGI MACDERMOTT (PB)

CAMILLE SOUTER RETROSPECTIVE (PB)

CHARLES HARPER (PB)

CHARLES TYRRELL TEN YEARS (PB)

CHINESE LANDSCAPE PAINTING AS WESTERN ART HISTORY (HB)

COLLEGE ALGEBRA ESSENTIALS

DAN DONOVAN (PB)

EDDIE KENNEDY (HB)

EDIFICE COMPLEX (PB)

ENDING TERRORISM

FAREWELL TO VISUAL STUDIES (HB)

FAREWELL TO VISUAL STUDIES (PB)

FLUID FLESH (PB)

GIVING PROFESSIONAL PRESENTATIONS IN THE BEHAVIORAL SCIENCES AND RELATED FIELDS

HOW TO READ NANCY (PB)

HOW TO USE YOUR EYES

HOW TO USE YOUR EYES

HOW TO USE YOUR EYES

HOW TO USE YOUR EYES

HOW TO USE YOUR EYES

HOW TO USE YOUR EYES (HB)

HOW TO USE YOUR EYES (PB)

IMPENDING SINGLE HISTORY OF ART

IS ART HISTORY GLOBAL?

IS ART HISTORY GLOBAL?

IS ART HISTORY GLOBAL?

IS ART HISTORY GLOBAL? (HB)

IS ART HISTORY GLOBAL? (PB)

JOHN SHINNORS (PB)

LANDSCAPE THEORY

LANDSCAPE THEORY

LANDSCAPE THEORY

LANDSCAPE THEORY

LANDSCAPE THEORY

LANDSCAPE THEORY (HB)

LANDSCAPE THEORY (PB)

LEGAL INTERVIEWING AND COUNSELING IN A NUTSHELL (PB)

LIVING LANDSCAPE 1987-1996

MARCO BREUER (HB)

MARGARET CORCORAN (HB)

MARY FARL POWERS - 1948-1992 (PB)

MARY LOHAN (PB)

MASTER NARRATIVES AND THEIR DISCONTENTS

MASTER NARRATIVES AND THEIR DISCONTENTS

MASTER NARRATIVES AND THEIR DISCONTENTS

MASTER NARRATIVES AND THEIR DISCONTENTS (HB)

MASTER NARRATIVES AND THEIR DISCONTENTS (PB)

MICHEAL FARRELL (PB)

MOVERS & SHAPERS 3 (HB)

ON PICTURES AND THE WORDS THAT FAIL THEM (HB)

ON PICTURES AND THE WORDS THAT FAIL THEM (PB)

ON REFLECTION: MODERN IRISH ART 1960S-1990S (PB)

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART (HB)

ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART (PB)

OUR BEAUTIFUL, DRY AND DISTANT TEXTS (PB)

OUR BEAUTIFUL, DRY, AND DISTANT TEXTS (HB)

PATRICK SCOTT (HB)

PHOTOGRAPHY THEORY

PHOTOGRAPHY THEORY

PHOTOGRAPHY THEORY

PHOTOGRAPHY THEORY (HB)

PHOTOGRAPHY THEORY (PB)

PICTURES AND TEARS

PICTURES AND TEARS

PICTURES AND TEARS

PICTURES AND TEARS

PICTURES AND TEARS

PICTURES AND TEARS (HB)

PICTURES AND TEARS (PB)

PICTURES OF THE BODY (HB)

PICTURES OF THE BODY (PB)

POETICS OF PERSPECTIVE (HB)

PROFILE 16 - ANNE MADDEN (PB)

RE-ENCHANTMENT

RE-ENCHANTMENT

RE-ENCHANTMENT

RE-ENCHANTMENT

RE-ENCHANTMENT

RE-ENCHANTMENT (HB)

RE-ENCHANTMENT (PB)

RENAISSANCE THEORY

RENAISSANCE THEORY

RENAISSANCE THEORY

RENAISSANCE THEORY

RENAISSANCE THEORY

RENAISSANCE THEORY (HB)

RENAISSANCE THEORY (PB)

REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE

REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE

REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE

REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE (HB)

RONNIE HUGHES (PB)

ROUTLEDGE LIBRARY EDITIONS: ORGANIZATIONS (31 VOLS)

SEAN SCULLY: EYE, SEA, LAND (PB)

SHORT INTRODUCTION TO ANNELIESE (HB)

SIMON ENGLISH (PB)

SIOBHAN PIERCY (PB)

SIX STORIES FROM THE END OF REPRESENTATION (HB)

SIX STORIES FROM THE END OF REPRESENTATION (PB)

STORIES OF ART

STORIES OF ART

STORIES OF ART

STORIES OF ART

STORIES OF ART (HB)

STORIES OF ART (HB)

STORIES OF ART (PB)

TADHG MCSWEENEY (PB)

TELEPRESENCE AND BIO ART (HB)

TELEPRESENCE AND BIO ART (PB)

THE DOMAIN OF IMAGES (HB)

THE DOMAIN OF IMAGES (PB)

THE F-WORD (PB)

THE OBJECT STARES BACK (PB)

THE POETICS OF PERSPECTIVE (PB)

THE STATE OF ART CRITICISM

THE STATE OF ART CRITICISM

THE STATE OF ART CRITICISM

THE STATE OF ART CRITICISM

THE STATE OF ART CRITICISM (HB)

THE STATE OF ART CRITICISM (PB)

THE WORK OF MICHEAL FARRELL (1940-2000) (PB)

THE WORLD ATLAS OF TATTOO (HB)

THEORIZING VISUAL STUDIES

THEORIZING VISUAL STUDIES

THEORIZING VISUAL STUDIES

THEORIZING VISUAL STUDIES

THEORIZING VISUAL STUDIES (HB)

THEORIZING VISUAL STUDIES (PB)

ULRICH VOGL (PB)

UN SALON PAR MICK O'DEA (PB)

VISUAL CULTURES

VISUAL CULTURES (PB)

VISUAL LITERACY

VISUAL LITERACY

VISUAL LITERACY

VISUAL LITERACY

VISUAL LITERACY

VISUAL LITERACY

VISUAL LITERACY (HB)

VISUAL LITERACY (PB)

VISUAL STUDIES

VISUAL STUDIES

VISUAL STUDIES

VISUAL STUDIES (HB)

VISUAL STUDIES (PB)

VIVIENNE ROCHE (PB)

WEAK IN COMPARISON TO DREAMS (HB)

WHAT DO ARTISTS KNOW (PB)

WHAT DO ARTISTS KNOW? (HB)

WHAT DO ARTISTS KNOW? (PB)

WHAT HAPPENED TO ART CRITICISM? (PB)

WHAT HEAVEN LOOKS LIKE (HB)

WHAT IS AN IMAGE? (HB)

WHAT IS AN IMAGE? (PB)

WHAT IS INTERESTING WRITING IN ART HISTO (PB)

WHAT PAINTING IS

WHAT PAINTING IS

WHAT PAINTING IS

WHAT PAINTING IS

WHAT PAINTING IS

WHAT PAINTING IS (HB)

WHAT PAINTING IS (PB)

WHAT PAINTING IS (PB)

WHAT PHOTOGRAPHY IS

WHAT PHOTOGRAPHY IS

WHAT PHOTOGRAPHY IS

WHAT PHOTOGRAPHY IS

WHAT PHOTOGRAPHY IS

WHAT PHOTOGRAPHY IS (HB)

WHAT PHOTOGRAPHY IS (HB)

WHAT PHOTOGRAPHY IS (PB)

WHY ARE OUR PICTURES PUZZLES?

WHY ARE OUR PICTURES PUZZLES?

WHY ARE OUR PICTURES PUZZLES?

WHY ARE OUR PICTURES PUZZLES?