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Item Details
Title: STORIES OF ART
By: James Elkins
Format: Hardback

List price: £135.00
Our price: £121.50
Discount:
10% off
You save: £13.50
ISBN 10: 1032696079
ISBN 13: 9781032696072
Availability: Usually dispatched within 1-3 weeks.
 Delivery rates
Stock: Currently 0 available
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 31 July, 2024
Edition: 2 ed
Pages: 264
Description: A thoughtful, engaging and intimate history of art that offers a critical analysis of the assumptions on which the entire discipline of art history depends.
Illustrations: 7 Line drawings, color; 33 Line drawings, black and white; 18 Halftones, color; 6 Halftones, black and white; 25 Illustrations, color; 39 Illustrations, black and white
Returns: Returnable
Some other items by this author:
A PRACTICAL GUIDE TO STAGE LIGHTING THIRD EDITION
A PRACTICAL GUIDE TO STAGE LIGHTING THIRD EDITION
AFTER & BEFORE - DOCUMENTING THE A-BOMB (HB)
AFTER HIROSHIMA (HB)
ART AND GLOBALIZATION (HB)
ART AND GLOBALIZATION (PB)
ART CRITIQUES
ART CRITIQUES
ART CRITIQUES (PB)
ART HISTORY VERSUS AESTHETICS
ART HISTORY VERSUS AESTHETICS
ART HISTORY VERSUS AESTHETICS
ART HISTORY VERSUS AESTHETICS (HB)
ART HISTORY VERSUS AESTHETICS (PB)
ARTISTS WITH PHDS
ARTISTS WITH PHDS (PB)
BEYOND THE AESTHETIC AND THE ANTI-AESTHETIC (HB)
BEYOND THE AESTHETIC AND THE ANTI-AESTHETIC (PB)
CHINESE LANDSCAPE PAINTING AS WESTERN ART HISTORY (HB)
COLLEGE ALGEBRA ESSENTIALS
ENDING TERRORISM
FAREWELL TO VISUAL STUDIES (HB)
FAREWELL TO VISUAL STUDIES (PB)
FLUID FLESH (PB)
GIVING PROFESSIONAL PRESENTATIONS IN THE BEHAVIORAL SCIENCES AND RELATED FIELDS
HOW TO READ NANCY (PB)
HOW TO USE YOUR EYES
HOW TO USE YOUR EYES
HOW TO USE YOUR EYES
HOW TO USE YOUR EYES
HOW TO USE YOUR EYES
HOW TO USE YOUR EYES (HB)
HOW TO USE YOUR EYES (PB)
IMPENDING SINGLE HISTORY OF ART
IS ART HISTORY GLOBAL?
IS ART HISTORY GLOBAL?
IS ART HISTORY GLOBAL?
IS ART HISTORY GLOBAL? (HB)
IS ART HISTORY GLOBAL? (PB)
LANDSCAPE THEORY
LANDSCAPE THEORY
LANDSCAPE THEORY
LANDSCAPE THEORY
LANDSCAPE THEORY
LANDSCAPE THEORY (HB)
LANDSCAPE THEORY (PB)
LEGAL INTERVIEWING AND COUNSELING IN A NUTSHELL (PB)
MARCO BREUER (HB)
MARGARET CORCORAN (HB)
MASTER NARRATIVES AND THEIR DISCONTENTS
MASTER NARRATIVES AND THEIR DISCONTENTS
MASTER NARRATIVES AND THEIR DISCONTENTS
MASTER NARRATIVES AND THEIR DISCONTENTS (HB)
MASTER NARRATIVES AND THEIR DISCONTENTS (PB)
ON PICTURES AND THE WORDS THAT FAIL THEM (HB)
ON PICTURES AND THE WORDS THAT FAIL THEM (PB)
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART (HB)
ON THE STRANGE PLACE OF RELIGION IN CONTEMPORARY ART (PB)
OUR BEAUTIFUL, DRY AND DISTANT TEXTS (PB)
OUR BEAUTIFUL, DRY, AND DISTANT TEXTS (HB)
PHOTOGRAPHY THEORY
PHOTOGRAPHY THEORY
PHOTOGRAPHY THEORY
PHOTOGRAPHY THEORY (HB)
PHOTOGRAPHY THEORY (PB)
PICTURES AND TEARS
PICTURES AND TEARS
PICTURES AND TEARS
PICTURES AND TEARS
PICTURES AND TEARS
PICTURES AND TEARS (HB)
PICTURES AND TEARS (PB)
PICTURES OF THE BODY (HB)
PICTURES OF THE BODY (PB)
POETICS OF PERSPECTIVE (HB)
RE-ENCHANTMENT
RE-ENCHANTMENT
RE-ENCHANTMENT
RE-ENCHANTMENT
RE-ENCHANTMENT
RE-ENCHANTMENT (HB)
RE-ENCHANTMENT (PB)
RENAISSANCE THEORY
RENAISSANCE THEORY
RENAISSANCE THEORY
RENAISSANCE THEORY
RENAISSANCE THEORY
RENAISSANCE THEORY (HB)
RENAISSANCE THEORY (PB)
REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE
REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE
REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE
REPRESENTATIONS OF PAIN IN ART AND VISUAL CULTURE (HB)
REPRESENTING ART IN IRELAND (HB)
ROUTLEDGE LIBRARY EDITIONS: ORGANIZATIONS (31 VOLS)
SHORT INTRODUCTION TO ANNELIESE (HB)
SIX STORIES FROM THE END OF REPRESENTATION (HB)
SIX STORIES FROM THE END OF REPRESENTATION (PB)
STORIES OF ART
STORIES OF ART
STORIES OF ART
STORIES OF ART
STORIES OF ART (HB)
STORIES OF ART (PB)
TELEPRESENCE AND BIO ART (HB)
TELEPRESENCE AND BIO ART (PB)
THE DOMAIN OF IMAGES (HB)
THE DOMAIN OF IMAGES (PB)
THE OBJECT STARES BACK (PB)
THE POETICS OF PERSPECTIVE (PB)
THE STATE OF ART CRITICISM
THE STATE OF ART CRITICISM
THE STATE OF ART CRITICISM
THE STATE OF ART CRITICISM
THE STATE OF ART CRITICISM (HB)
THE STATE OF ART CRITICISM (PB)
THE WORLD ATLAS OF TATTOO (HB)
THEORIZING VISUAL STUDIES
THEORIZING VISUAL STUDIES
THEORIZING VISUAL STUDIES
THEORIZING VISUAL STUDIES
THEORIZING VISUAL STUDIES (HB)
THEORIZING VISUAL STUDIES (PB)
VISUAL CULTURES
VISUAL CULTURES (PB)
VISUAL LITERACY
VISUAL LITERACY
VISUAL LITERACY
VISUAL LITERACY
VISUAL LITERACY
VISUAL LITERACY
VISUAL LITERACY (HB)
VISUAL LITERACY (PB)
VISUAL STUDIES
VISUAL STUDIES
VISUAL STUDIES
VISUAL STUDIES (HB)
VISUAL STUDIES (PB)
WEAK IN COMPARISON TO DREAMS (HB)
WHAT DO ARTISTS KNOW (PB)
WHAT DO ARTISTS KNOW? (HB)
WHAT DO ARTISTS KNOW? (PB)
WHAT HAPPENED TO ART CRITICISM? (PB)
WHAT HEAVEN LOOKS LIKE (HB)
WHAT IS AN IMAGE? (HB)
WHAT IS AN IMAGE? (PB)
WHAT IS INTERESTING WRITING IN ART HISTO (PB)
WHAT PAINTING IS
WHAT PAINTING IS
WHAT PAINTING IS
WHAT PAINTING IS
WHAT PAINTING IS
WHAT PAINTING IS (HB)
WHAT PAINTING IS (PB)
WHAT PAINTING IS (PB)
WHAT PHOTOGRAPHY IS
WHAT PHOTOGRAPHY IS
WHAT PHOTOGRAPHY IS
WHAT PHOTOGRAPHY IS
WHAT PHOTOGRAPHY IS
WHAT PHOTOGRAPHY IS (HB)
WHAT PHOTOGRAPHY IS (HB)
WHAT PHOTOGRAPHY IS (PB)
WHY ARE OUR PICTURES PUZZLES?
WHY ARE OUR PICTURES PUZZLES?
WHY ARE OUR PICTURES PUZZLES?
WHY ARE OUR PICTURES PUZZLES?
WHY ARE OUR PICTURES PUZZLES?
WHY ARE OUR PICTURES PUZZLES? (PB)
WHY ART CANNOT BE TAUGHT (PB)

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