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Item Details
| Title:
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ORGANISING MUSIC
THEORY, PRACTICE, PERFORMANCE |
| By: |
Professor Nic Beech (Editor), Charlotte Gilmore (Editor) |
| Format: |
Hardback |
| List price:
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£64.00 |
| Our price: |
£57.60 |
| Discount: |
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| You save:
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£6.40 |
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| ISBN 10: |
1107040957 |
| ISBN 13: |
9781107040953 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
CAMBRIDGE UNIVERSITY PRESS |
| Pub. date: |
9 January, 2015 |
| Pages: |
446 |
| Description: |
This book applies organisation theory to the creative and performance aspects of music, through a dialogue between organisation theorists and practising musicians. |
| Synopsis: |
Organisational theorists have become increasingly interested in the creative industries, where practices that are commonplace are of particular interest to organisations in other sectors as they look for new ways to enhance performance. Focusing on the music industry, this book sets up a unique dialogue between leading organisational theorists and music professionals. Part I explores links between organisation theory and the creative industries literature, concentrating on practices of organising and knowledge mobilisation, followed by an in-depth discussion of key theoretical concepts by subject experts. Part II provides a diverse range of 'tales from the field', including examples from classical orchestras, folk, indie and punk. The concluding chapter examines the shared dialogue to reveal what practice in the musical field can learn from organisational theory, and vice versa. This innovative book will interest graduate students and researchers in the fields of organisation studies, music management and the creative industries. |
| Illustrations: |
2 b/w illus. 2 tables |
| Publication: |
UK |
| Imprint: |
Cambridge University Press |
| Returns: |
Returnable |
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