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Item Details
Title: DISRUPTIVE DIVAS
FEMINISM, IDENTITY AND POPULAR MUSIC
By: Lori Burns, Melisse Lafrance
Format: Electronic book text

List price: £31.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 1135698740
ISBN 13: 9781135698744
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 8 October, 2013
Pages: 238
Synopsis: Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegeocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.
Publication: UK
Imprint: Routledge
Returns: Non-returnable
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ANYONE CAN DO IT: EMPOWERMENT, TRADITION AND THE PUNK UNDERGROUND
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B-SIDES, UNDERCURRENTS AND OVERTONES: PERIPHERIES TO POPULAR IN MUSIC, 1960 TO THE PRESENT
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BACH'S MODAL CHORALES (HB)
BLACK SABBATH AND THE RISE OF HEAVY METAL MUSIC
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BLACK SABBATH AND THE RISE OF HEAVY METAL MUSIC (HB)
BLACKFACE MINSTRELSY IN BRITAIN (HB)
BLERWYTIRHWNG? (HB)
BLIXA BARGELD AND EINSTURZENDE NEUBAUTEN: GERMAN EXPERIMENTAL MUSIC
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BRAZILIAN POPULAR MUSIC (HB)
BRIMFUL OF ASIA (PB)
BRITISH ROCK MODERNISM, 1967-1977
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DECLINE, RENEWAL AND THE CITY IN POPULAR MUSIC CULTURE: BEYOND THE BEATLES (PB)
DISRUPTIVE DIVAS
DISRUPTIVE DIVAS
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EXPERIENCING 'FLOW' IN JAZZ PERFORMANCE
EXPERIENCING 'FLOW' IN JAZZ PERFORMANCE
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FADO AND THE PLACE OF LONGING (HB)
FLAMENCO MUSIC AND NATIONAL IDENTITY IN SPAIN
FLAMENCO MUSIC AND NATIONAL IDENTITY IN SPAIN
FRANK ZAPPA AND THE AND
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FROM PAC-MAN TO POP MUSIC
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FROM THE CHANSON FRANCAISE TO THE CANZONE D'AUTORE IN THE 1960S AND 1970S
FROM THE CHANSON FRANCAISE TO THE CANZONE D'AUTORE IN THE 1960S AND 1970S
FROM THE CHANSON FRANCAISE TO THE CANZONE D'AUTORE IN THE 1960S AND 1970S (HB)
GENDER IN THE MUSIC INDUSTRY (PB)
GENESIS AND "THE LAMB LIES DOWN ON BROADWAY" (HB)
GENESIS AND "THE LAMB LIES DOWN ON BROADWAY" (PB)
GRUNGE: MUSIC AND MEMORY
GRUNGE: MUSIC AND MEMORY
HEAVY METAL MUSIC IN BRITAIN
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HIP-HOP TURNTABLISM, CREATIVITY AND COLLABORATION
HIP-HOP TURNTABLISM, CREATIVITY AND COLLABORATION
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HOLLYWOOD THEORY, NON-HOLLYWOOD PRACTICE (HB)
HOW BRITAIN GOT THE BLUES (HB)
HOW BRITAIN GOT THE BLUES: THE TRANSMISSION AND RECEPTION OF AMERICAN BLUES STYLE IN THE UNITED KINGDOM
HOW BRITAIN GOT THE BLUES: THE TRANSMISSION AND RECEPTION OF AMERICAN BLUES STYLE IN THE UNITED KINGDOM
HOW POPULAR MUSICIANS LEARN
HOW POPULAR MUSICIANS LEARN
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INVISIBLE NOW (HB)
INVISIBLE NOW: BOB DYLAN IN THE 1960S
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KATE BUSH AND HOUNDS OF LOVE
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MAKING NEW ZEALAND'S POP RENAISSANCE
MAKING NEW ZEALAND'S POP RENAISSANCE
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MICHAEL JACKSON AND THE BLACKFACE MASK
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OTHER VOICES: HIDDEN HISTORIES OF LIVERPOOL'S POPULAR MUSIC SCENES, 1930S-1970S
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PJ HARVEY AND MUSIC VIDEO PERFORMANCE
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POPULAR MUSIC AND HUMAN RIGHTS
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POPULAR MUSIC AND HUMAN RIGHTS
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POPULAR MUSIC AND THE MYTHS OF MADNESS
POPULAR MUSIC AND THE MYTHS OF MADNESS
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POPULAR MUSIC AND THE STATE IN THE UK
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PUNK AESTHETICS AND NEW FOLK
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TURBO-FOLK MUSIC AND CULTURAL REPRESENTATIONS OF NATIONAL IDENTITY IN FORMER YUGOSLAVIA
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