| Title:
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FRENCH MOTETS IN THE THIRTEENTH CENTURY
MUSIC, POETRY AND GENRE |
| By: |
Mark Everist, Iain Fenlon, Professor Thomas Forrest Kelly |
| Format: |
Paperback |
| List price:
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£43.99 |
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£38.49 |
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£5.50 |
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| ISBN 10: |
0521612047 |
| ISBN 13: |
9780521612043 |
| Availability: |
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| Publisher: |
CAMBRIDGE UNIVERSITY PRESS |
| Pub. date: |
28 September, 2004 |
| Series: |
Cambridge Studies in Medieval & Renaissance Music |
| Pages: |
216 |
| Description: |
This is the first full-length study of the vernacular motet in thirteenth-century France. |
| Synopsis: |
This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions. |
| Illustrations: |
9 tables 49 music examples |
| Publication: |
UK |
| Imprint: |
Cambridge University Press |
| Returns: |
Returnable |