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Item Details
Title: REALISM AND POPULAR CINEMA
By: Julia Hallam, Margaret Marshment
Format: Paperback

List price: £15.99
Our price: £14.39
Discount:
10% off
You save: £1.60
ISBN 10: 0719052513
ISBN 13: 9780719052514
Availability: Usually dispatched within 1-3 weeks.
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Publisher: MANCHESTER UNIVERSITY PRESS
Pub. date: 25 May, 2000
Series: Inside Popular Film
Pages: 296
Description: An exploration of how popular films use realist forms to address contentious social and political issues such as social exclusion, war and violence. Focusing on key moments in film history, it examines the uses of realism in national cinemas as a context for an in-depth analysis of popular films.
Synopsis: This groundbreaking study engages with the theoretical aspects of realism - a long neglected area in film studies.. Contributes to an understanding of how popular films use realist forms to address contentious social and political issues such as social exclusion, war and violence.. Focusing on key moments in film history the authors examine the uses of realism in national cinemas as a context for their in-depth analysis of contemporary popular films.. A series of case studies examines the hybrid styles of realism used in recent filmmaking practice and the politics of these forms in relation to topics such as urban youth and domestic violence (Boyz N the Hood, La Haine, Once Were Warriors, Ladybird, Ladybird, Nil By Mouth), government conspiracies and war (Cry Freedom, JFK, Schindler's List), and serial killers (Henry, Portrait of a Serial Killer, Man Bites Dog, Natural Born Killers).. Will give rise to new directions in the theorisation of both popular film and realism in the cinema. -- .
Illustrations: Illustrations, black & white
Publication: UK
Imprint: Manchester University Press
Returns: Non-returnable
Some other items by this author:
APPROACHES TO POPULAR FILM (HB)
APPROACHES TO POPULAR FILM (PB)
CINEMATIC COUNTRYSIDES (HB)
CINEMATIC COUNTRYSIDES (PB)
COMIC POLITICS (HB)
DEFINING CULT MOVIES (HB)
DEFINING CULT MOVIES (PB)
FILM AND COMIC BOOKS (HB)
FILM AND COMIC BOOKS (PB)
FILM HISTORIES (HB)
FILM HISTORIES (HB)
FILM HISTORIES (PB)
FILM HISTORIES (PB)
FILM STARS (PB)
FILM STUDIES READER (PB)
GROWING UP WITH AUDREY HEPBURN (PB)
HOLLYWOOD HYPE AND AUDIENCES (PB)
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER (HB)
HORROR, THE FILM READER (PB)
INTERPRETING ROCK MOVIES (HB)
INTERPRETING ROCK MOVIES (PB)
LOCATING THE MOVING IMAGE
LOCATING THE MOVING IMAGE
LYNDA LA PLANTE (HB)
LYNDA LA PLANTE (PB)
MEMORY AND POPULAR FILM
MEMORY AND POPULAR FILM (PB)
MONSTERS IN THE CLOSET (PB)
NEW HOLLYWOOD VIOLENCE (PB)
NURSING THE IMAGE
NURSING THE IMAGE
NURSING THE IMAGE
NURSING THE IMAGE
NURSING THE IMAGE
NURSING THE IMAGE (HB)
NURSING THE IMAGE (PB)
QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (PB)
SPANISH POPULAR CINEMA (PB)
THE CULTURAL POLITICS OF THE NEW CRITICISM
THE CULTURAL POLITICS OF THE NEW CRITICISM (HB)
THE CULTURAL POLITICS OF THE NEW CRITICISM (PB)
THE DOLBY ERA (PB)
THE FEMALE GAZE (PB)
THE NEW AVENGERS (PB)
THE PLACE OF THE AUDIENCE (HB)
THE PLACE OF THE AUDIENCE: CULTURAL GEOGRAPHIES OF FILM CONSUMPTION (PB)
THE SHIFTING DEFINITIONS OF GENRE (PB)
TRASH OR TREASURE (HB)
TRASH OR TREASURE (PB)

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