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Item Details
Title: DEFINING CULT MOVIES
THE CULTURAL POLITICS OF OPPOSITIONAL TASTE
By: Mark Jancovich (Editor), Antonio Lazario-Reboll (Editor), Julian Stringer (Editor)
Format: Paperback

List price: £19.99
Our price: £17.99
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ISBN 10: 071906631X
ISBN 13: 9780719066313
Availability: Usually dispatched within 1-3 weeks.
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Publisher: MANCHESTER UNIVERSITY PRESS
Pub. date: 21 August, 2003
Series: Inside Popular Film
Pages: 256
Description: This study stresses the sheer diversity of the films which have been brought together under the term "cult movies". It concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of definitions.
Synopsis: Concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cult films and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, 'underground' and trivia. -- .
Illustrations: Illustrations, black & white
Publication: UK
Imprint: Manchester University Press
Returns: Non-returnable
Some other items by this author:
APPROACHES TO POPULAR FILM (HB)
APPROACHES TO POPULAR FILM (PB)
CINEMATIC COUNTRYSIDES (HB)
CINEMATIC COUNTRYSIDES (PB)
COMIC POLITICS (HB)
DEFINING CULT MOVIES (HB)
FILM AND COMIC BOOKS (HB)
FILM AND COMIC BOOKS (PB)
FILM HISTORIES (HB)
FILM HISTORIES (HB)
FILM HISTORIES (PB)
FILM HISTORIES (PB)
FILM STARS (PB)
FILM STUDIES READER (PB)
GLOBAL CHINESE CINEMA (HB)
GROWING UP WITH AUDREY HEPBURN (PB)
HOLLYWOOD HYPE AND AUDIENCES (PB)
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER
HORROR, THE FILM READER (HB)
HORROR, THE FILM READER (PB)
INTERPRETING ROCK MOVIES (HB)
INTERPRETING ROCK MOVIES (PB)
JAPANESE CINEMA
JAPANESE CINEMA
JAPANESE CINEMA
JAPANESE CINEMA
JAPANESE CINEMA
JAPANESE CINEMA (HB)
JAPANESE CINEMA (HB)
JAPANESE CINEMA (PB)
JAPANESE CINEMA: TEXTS AND CONTEXTS
MEMORY AND POPULAR FILM
MEMORY AND POPULAR FILM (PB)
MONSTERS IN THE CLOSET (PB)
MOVIE BLOCKBUSTERS
MOVIE BLOCKBUSTERS
MOVIE BLOCKBUSTERS
MOVIE BLOCKBUSTERS (HB)
MOVIE BLOCKBUSTERS (PB)
NEW HOLLYWOOD VIOLENCE (PB)
NEW KOREAN CINEMA (HB)
NEW KOREAN CINEMA (HB)
NEW KOREAN CINEMA (PB)
NEW KOREAN CINEMA (PB)
QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (PB)
REALISM AND POPULAR CINEMA (PB)
SPANISH HORROR FILM (HB)
SPANISH HORROR FILM (PB)
SPANISH POPULAR CINEMA (PB)
THE CULTURAL POLITICS OF THE NEW CRITICISM
THE CULTURAL POLITICS OF THE NEW CRITICISM (HB)
THE CULTURAL POLITICS OF THE NEW CRITICISM (PB)
THE DOLBY ERA (PB)
THE NEW AVENGERS (PB)
THE PLACE OF THE AUDIENCE (HB)
THE PLACE OF THE AUDIENCE: CULTURAL GEOGRAPHIES OF FILM CONSUMPTION (PB)
THE SHIFTING DEFINITIONS OF GENRE (PB)
TRASH OR TREASURE (HB)
TRASH OR TREASURE (PB)

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