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Item Details
Title: ART AND AESTHETICS AFTER ADORNO
By: J. M. Bernstein, Claudia Brodsky, Anthony J. Cascardi
Format: Paperback

List price: £27.99


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ISBN 10: 0823253090
ISBN 13: 9780823253098
Publisher: FORDHAM UNIVERSITY PRESS
Pub. date: 1 April, 2012
Series: Berkeley Forum in the Humanities
Pages: 302
Description: Theodor Adorno's Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century.
Synopsis: Theodor Adorno's Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice. Adorno's powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno's aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts.
Illustrations: 3 Illustrations, black and white
Publication: US
Imprint: Fordham University Press
Returns: Returnable
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ADORNO
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CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (HB)
CERVANTES, LITERATURE AND THE DISCOURSE OF POLITICS (PB)
CLASSIC AND ROMANTIC GERMAN AESTHETICS
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CONSEQUENCES OF ENLIGHTENMENT
CONSEQUENCES OF ENLIGHTENMENT (HB)
CONSEQUENCES OF ENLIGHTENMENT (PB)
DERRIDA AND AUTOBIOGRAPHY (PB)
FRANCISCO DE GOYA AND THE ART OF CRITIQUE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (HB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
IDEOLOGIES OF HISTORY IN THE SPANISH GOLDEN AGE (PB)
IN THE PLACE OF LANGUAGE
IN THE PLACE OF LANGUAGE
INTRODUCTION TO LITERARY HERMENEUTICS (HB)
INTRODUCTION TO LITERARY HERMENEUTICS (PB)
INVENTING AGENCY (HB)
INVENTING AGENCY (PB)
LANGUAGE WITHOUT SOIL (HB)
LANGUAGE WITHOUT SOIL (PB)
LITERATURE AND THE QUESTION OF PHILOSOPHY (PB)
MIKHAIL BAKHTIN (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NIETZSCHE'S NEGATIVE ECOLOGIES (PB)
NOVELS BEHIND GLASS (HB)
ON JEAN AMERY (HB)
PARATEXTS (HB)
PARATEXTS (PB)
PARODY (PB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (HB)
POIESIS AND MODERNITY IN THE OLD AND NEW WORLDS (PB)
POLITICAL CONCEPTS (HB)
POLITICAL CONCEPTS (PB)
POSSIBLE WORLDS IN LITERARY THEORY (HB)
POSSIBLE WORLDS IN LITERARY THEORY (PB)
RECOVERING ETHICAL LIFE (HB)
RECOVERING ETHICAL LIFE (PB)
RHETORIC AND CULTURE IN LACAN (PB)
RHETORIC, SOPHISTRY, PRAGMATISM (PB)
SUBJECT OF MODERNITY (HB)
THE BOUNDS OF REASON (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (HB)
THE CAMBRIDGE COMPANION TO CERVANTES (PB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (HB)
THE CAMBRIDGE INTRODUCTION TO LITERATURE AND PHILOSOPHY (PB)
THE CULTURE INDUSTRY
THE CULTURE INDUSTRY
THE CULTURE INDUSTRY
THE CULTURE INDUSTRY
THE CULTURE INDUSTRY
THE CULTURE INDUSTRY (HB)
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THE CULTURE INDUSTRY (PB)
THE FATE OF ART (PB)
THE LIMITS OF ILLUSION (HB)
THE LIMITS OF ILLUSION: A CRITICAL STUDY OF CALDERON
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THEORIES OF MIMESIS (PB)
THEORIZING THE AVANT-GARDE (HB)
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