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Item Details
Title: SHAKESPEARE AND THE THEATRE OF WONDER
By: T. G. Bishop, Stephen Orgel, Anne Barton
Format: Paperback

List price: £33.99
Our price: £29.74
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ISBN 10: 0521034922
ISBN 13: 9780521034920
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 8 November, 2006
Series: Cambridge Studies in Renaissance Literature & Culture v. 9
Pages: 240
Description: This study examines ways in which wonder has been used by classical and medieval playwrights, and by Shakespeare.
Synopsis: Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
Some other items by this author:
A MIDSUMMER NIGHT'S DREAM (PB)
ANTONY AND CLEOPATRA (PB)
ANXIOUS MASCULINITY IN EARLY MODERN ENGLAND (HB)
ANXIOUS MASCULINITY IN EARLY MODERN ENGLAND (PB)
BEN JONSON
BEN JONSON (HB)
BEN JONSON (PB)
BEN JONSON: SELECTED MASQUES (PB)
BEN JONSON: THE COMPLETE MASQUES (PB)
BODIES AND SELVES IN EARLY MODERN ENGLAND (HB)
BODIES AND SELVES IN EARLY MODERN ENGLAND (PB)
BOOKS AND READERS IN EARLY MODERN ENGLAND
BOOKS AND READERS IN EARLY MODERN ENGLAND (HB)
BOOKS AND READERS IN EARLY MODERN ENGLAND (PB)
BYRON: DON JUAN (HB)
BYRON: DON JUAN (PB)
COURTLY LETTERS IN THE AGE OF HENRY VIII (PB)
DEFENDING LITERATURE IN EARLY MODERN ENGLAND (PB)
DRAMA AND THE MARKET IN THE AGE OF SHAKESPEARE (PB)
ENGLISH COMEDY
EROTICISM ON THE RENAISSANCE STAGE (PB)
ESSAYS, MAINLY SHAKESPEAREAN (HB)
ESSAYS, MAINLY SHAKESPEAREAN (PB)
FOREIGN BODIES AND THE BODY POLITIC (PB)
FOUR TRAGEDIES (PB)
FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND
FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND (HB)
FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND (PB)
FROM PLAYHOUSE TO PRINTING HOUSE (HB)
FROM PLAYHOUSE TO PRINTING HOUSE (PB)
FROM SCRIPT TO STAGE IN EARLY MODERN ENGLAND (HB)
FROM SCRIPT TO STAGE IN EARLY MODERN ENGLAND (PB)
GLOBE IN PRINT
GLOBE IN PRINT (HB)
HAMLET (PB)
IDEA OF THE BOOK AND THE CREATION OF LITERATURE
IDEA OF THE BOOK AND THE CREATION OF LITERATURE (HB)
IMAGINING SHAKESPEARE
IMAGINING SHAKESPEARE (HB)
IMPERSONATIONS (HB)
IMPERSONATIONS (PB)
INVENTION OF SHAKESPEARE, AND OTHER ESSAYS
INVENTION OF SHAKESPEARE, AND OTHER ESSAYS (HB)
JULIUS CAESAR (PB)
KING LEAR (PB)
KING LEAR (PB)
LADY ANNA (PB)
MACBETH (PB)
MATERIALIZING GENDER IN EARLY MODERN ENGLISH LITERATURE AND CULTURE (HB)
MIMESIS AND EMPIRE (PB)
MUCH ADO ABOUT NOTHING (PB)
ONCE SHE WAS TEMPTED (PB)
ONE WILD WINTER'S EVE (PB)
OTHELLO (PB)
PARADISE LOST (PB)
PATRONAGE IN THE RENAISSANCE
PATRONAGE IN THE RENAISSANCE (HB)
PATRONAGE IN THE RENAISSANCE (PB)
RECORDS OF SHELLEY BYRON AND THE (PB)
RIVERSIDE SHAKESPEARE (HB)
ROMEO AND JULIET (PB)
SCANDALOUS SUMMER NIGHTS (PB)
SCIENCE, READING, AND RENAISSANCE LITERATURE (HB)
SEIZURES OF THE WILL IN EARLY MODERN ENGLISH DRAMA (PB)
SHAKESPEARE AND DOMESTIC LOSS (PB)
SHAKESPEARE AND THE GEOGRAPHY OF DIFFERENCE (PB)
SHAKESPEARE AND THE IDEA OF THE PLAY (HB)
SHAKESPEARE AND THE THEATRE OF WONDER
SHAKESPEARE AND THE THEATRE OF WONDER (HB)
SHAKESPEARE'S TROY (PB)
SHAKESPEARE, SPENSER, AND THE CRISIS IN IRELAND (HB)
SHAKESPEAREAN FOREST
SONNET SEQUENCES AND SOCIAL DISTINCTION IN RENAISSANCE ENGLAND (HB)
SPECTACULAR PERFORMANCES (HB)
SPECTACULAR PERFORMANCES (PB)
SPENSER'S SECRET CAREER (HB)
STAGING DOMESTICITY (HB)
STAGING DOMESTICITY (PB)
STUDIES ON INDUSTRIAL PRODUCTIVITY (HB)
TEXTUAL INTERCOURSE (PB)
THE AGE OF INNOCENCE (PB)
THE AUTHENTIC SHAKESPEARE
THE AUTHENTIC SHAKESPEARE
THE AUTHENTIC SHAKESPEARE
THE AUTHENTIC SHAKESPEARE (HB)
THE AUTHENTIC SHAKESPEARE (PB)
THE COMPLETE PELICAN SHAKESPEARE (HB)
THE CONNELL SHORT GUIDE TO THE POETRY OF CHRISTINA ROSSETTI (PB)
THE CUSTOM OF THE COUNTRY (PB)
THE EMERGENCE OF THE ENGLISH AUTHOR (PB)
THE HOMOEROTICS OF EARLY MODERN DRAMA (PB)
THE ILLUSION OF POWER (PB)
THE LIMITS OF EROTICISM IN POST-PETRARCHAN NARRATIVE (PB)
THE MAJOR WORKS (PB)
THE MARKETPLACE OF PRINT (PB)
THE MERCHANT OF VENICE (PB)
THE OXFORD SHAKESPEARE: THE WINTER'S TALE (HB)
THE PERFORMANCE OF NOBILITY IN EARLY MODERN EUROPEAN LITERATURE (PB)
THE READER IN THE BOOK (HB)
THE READER IN THE BOOK (PB)
THE REFORMATION OF THE SUBJECT (HB)
THE REFORMATION OF THE SUBJECT (PB)
THE RHETORIC OF THE BODY FROM OVID TO SHAKESPEARE (PB)
THE ROMANCE OF THE NEW WORLD (PB)
THE SHAKESPEAREAN FOREST (HB)
THE SONNETS (HB)
THE SONNETS (PB)
THE TAMING OF THE SHREW (PB)
THE TEMPEST (PB)
THE TEMPEST: THE OXFORD SHAKESPEARE (PB)
THE WADSWORTH SHAKESPEARE (HB)
THE WINTER'S TALE: THE OXFORD SHAKESPEARE (PB)
THEATRE, FINANCE AND SOCIETY IN EARLY MODERN ENGLAND (PB)
TWELFTH NIGHT (PB)
VOYAGES IN PRINT (HB)
WHEN SHE WAS WICKED (PB)
WIT''S TREASURY (HB)
WRITING, GENDER AND STATE IN EARLY MODERN ENGLAND (HB)
WRITING, GENDER AND STATE IN EARLY MODERN ENGLAND (PB)

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