A MIDSUMMER NIGHT'S DREAM (PB)

ANTONY AND CLEOPATRA (PB)

ANXIOUS MASCULINITY IN EARLY MODERN ENGLAND (HB)

ANXIOUS MASCULINITY IN EARLY MODERN ENGLAND (PB)

BEN JONSON: SELECTED MASQUES (PB)

BEN JONSON: THE COMPLETE MASQUES (PB)

BODIES AND SELVES IN EARLY MODERN ENGLAND (HB)

BODIES AND SELVES IN EARLY MODERN ENGLAND (PB)

BOOKS AND READERS IN EARLY MODERN ENGLAND

BOOKS AND READERS IN EARLY MODERN ENGLAND (HB)

BOOKS AND READERS IN EARLY MODERN ENGLAND (PB)

COURTLY LETTERS IN THE AGE OF HENRY VIII (PB)

DEFENDING LITERATURE IN EARLY MODERN ENGLAND (PB)

DRAMA AND THE MARKET IN THE AGE OF SHAKESPEARE (PB)

EROTICISM ON THE RENAISSANCE STAGE (PB)

FOREIGN BODIES AND THE BODY POLITIC (PB)

FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND

FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND (HB)

FROM PERFORMANCE TO PRINT IN SHAKESPEARE'S ENGLAND (PB)

FROM PLAYHOUSE TO PRINTING HOUSE (HB)

FROM PLAYHOUSE TO PRINTING HOUSE (PB)

FROM SCRIPT TO STAGE IN EARLY MODERN ENGLAND (HB)

FROM SCRIPT TO STAGE IN EARLY MODERN ENGLAND (PB)

GLOBE IN PRINT

GLOBE IN PRINT (HB)

HAMLET (PB)

IDEA OF THE BOOK AND THE CREATION OF LITERATURE

IDEA OF THE BOOK AND THE CREATION OF LITERATURE (HB)

IMAGINING SHAKESPEARE

IMAGINING SHAKESPEARE (HB)

IMPERSONATIONS (HB)

IMPERSONATIONS (PB)

INVENTION OF SHAKESPEARE, AND OTHER ESSAYS (HB)

JULIUS CAESAR (PB)

KING LEAR (PB)

KING LEAR (PB)

LADY ANNA (PB)

MACBETH (PB)

MATERIALIZING GENDER IN EARLY MODERN ENGLISH LITERATURE AND CULTURE (HB)

MIMESIS AND EMPIRE (PB)

MUCH ADO ABOUT NOTHING (PB)

OTHELLO (PB)

PARADISE LOST (PB)

PATRONAGE IN THE RENAISSANCE (HB)

PATRONAGE IN THE RENAISSANCE (PB)

ROMEO AND JULIET (PB)

SCIENCE, READING, AND RENAISSANCE LITERATURE (HB)

SEIZURES OF THE WILL IN EARLY MODERN ENGLISH DRAMA (PB)

SHAKESPEARE AND DOMESTIC LOSS (PB)

SHAKESPEARE AND THE GEOGRAPHY OF DIFFERENCE (PB)

SHAKESPEARE AND THE THEATRE OF WONDER (HB)

SHAKESPEARE AND THE THEATRE OF WONDER (PB)

SHAKESPEARE'S TROY (PB)

SHAKESPEARE, SPENSER, AND THE CRISIS IN IRELAND (HB)

SONNET SEQUENCES AND SOCIAL DISTINCTION IN RENAISSANCE ENGLAND (HB)

SPECTACULAR PERFORMANCES (HB)

SPECTACULAR PERFORMANCES (PB)

SPENSER'S SECRET CAREER (HB)

STAGING DOMESTICITY (HB)

STAGING DOMESTICITY (PB)

STUDIES ON INDUSTRIAL PRODUCTIVITY (HB)

TEXTUAL INTERCOURSE (PB)

THE AGE OF INNOCENCE (PB)

THE AUTHENTIC SHAKESPEARE

THE AUTHENTIC SHAKESPEARE

THE AUTHENTIC SHAKESPEARE

THE AUTHENTIC SHAKESPEARE (HB)

THE AUTHENTIC SHAKESPEARE (PB)

THE COMPLETE PELICAN SHAKESPEARE (HB)

THE CUSTOM OF THE COUNTRY (PB)

THE EMERGENCE OF THE ENGLISH AUTHOR (PB)

THE HOMOEROTICS OF EARLY MODERN DRAMA (PB)

THE ILLUSION OF POWER (PB)

THE LIMITS OF EROTICISM IN POST-PETRARCHAN NARRATIVE (PB)

THE MAJOR WORKS (PB)

THE MARKETPLACE OF PRINT (PB)

THE MERCHANT OF VENICE (PB)

THE OXFORD SHAKESPEARE: THE WINTER'S TALE (HB)

THE PERFORMANCE OF NOBILITY IN EARLY MODERN EUROPEAN LITERATURE (PB)

THE READER IN THE BOOK (HB)

THE READER IN THE BOOK (PB)

THE REFORMATION OF THE SUBJECT (HB)

THE REFORMATION OF THE SUBJECT (PB)

THE RHETORIC OF THE BODY FROM OVID TO SHAKESPEARE (PB)

THE ROMANCE OF THE NEW WORLD (PB)

THE SONNETS (HB)

THE SONNETS (PB)

THE TAMING OF THE SHREW (PB)

THE TEMPEST (PB)

THE TEMPEST: THE OXFORD SHAKESPEARE (PB)

THE WINTER'S TALE: THE OXFORD SHAKESPEARE (PB)

THEATRE, FINANCE AND SOCIETY IN EARLY MODERN ENGLAND (PB)

TWELFTH NIGHT (PB)

VOYAGES IN PRINT (HB)

WIT''S TREASURY (HB)

WRITING, GENDER AND STATE IN EARLY MODERN ENGLAND (HB)

WRITING, GENDER AND STATE IN EARLY MODERN ENGLAND (PB)