| Title:
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FROM PLAYHOUSE TO PRINTING HOUSE
DRAMA AND AUTHORSHIP IN EARLY MODERN ENGLAND |
| By: |
Douglas A. Brooks, Stephen Orgel, Anne Barton |
| Format: |
Hardback |
| List price:
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£90.00 |
| Our price: |
£78.75 |
| Discount: |
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£11.25 |
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| ISBN 10: |
052177117X |
| ISBN 13: |
9780521771177 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
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| Publisher: |
CAMBRIDGE UNIVERSITY PRESS |
| Pub. date: |
27 April, 2000 |
| Series: |
Cambridge Studies in Renaissance Literature & Culture v. 36 |
| Pages: |
316 |
| Description: |
Examines how Renaissance dramatists made the difficult transition from playwrights to published authors. |
| Synopsis: |
This study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theatre to publishing them as literary works. Tracing the path from playhouse to printing house, Douglas Brooks analyses how and why certain popular plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work. Brooks uncovers the continually shifting relationship between theatre and publisher and defines the way in which the concept of authorship changed. His book represents an important contribution to the refiguration of two histories: English Renaissance drama and the early modern book. |
| Illustrations: |
23 b/w illus. |
| Publication: |
UK |
| Imprint: |
Cambridge University Press |
| Returns: |
Returnable |