pickabook books with huge discounts for everyone
pickabook books with huge discounts for everyone
Visit our new collection website www.collectionsforschool.co.uk
     
Email: Subscribe to news & offers:
Need assistance? Log In/Register
CATEGORY BROWSE
Arts

Agriculture

Biography

Business

Children's

Computing

Earth Sciences

Economics

Educational

Engineering

English Language Teaching (ELT)

Environment

Family

Fiction

Finance

Geography

Home

Humanities

Industry

Information

Information Technology

Interdisciplinary Subjects

Language

Law

Leisure Interests

Literature

Mathematics

Medicine

Planning

Practical Interests

Reference

Science

Social Sciences

Sport

Technology

Travel

Veterinary Science


ABOUT US
About Us
Contact Us
Terms & Conditions

Item Details
Title: ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
By: Hermann L. F. Helmholtz, Alexander John Ellis (Trans)
Format: Paperback

List price: £53.99
Our price: £51.29
Discount:
5% off
You save: £2.70
ISBN 10: 1108001777
ISBN 13: 9781108001779
Availability: Publisher out of stock. This item may be subject to delays or cancellation.
 Delivery rates
Stock: Currently 0 available
Publisher: CAMBRIDGE LIBRARY COLLECTION
Pub. date: 4 October, 2009
Edition: 3rd Revised edition
Series: Cambridge Library Collection - Music
Pages: 854
Translated from: German
Description: The 1875 translation of Helmholtz's classic 1863 publication, which influenced composers and musicologists well into the twentieth century.
Synopsis: Hermann von Helmholtz (1821-94) was a leading scientist who made important contributions to physiology, psychology, physics, philosophy and early neuroscience. Following his foundational work in ophthalmics during the 1850s, he became Professor of Physiology at Heidelberg and, in 1863, published On the Sensations of Tone. This investigation into the physical theory of music remains a central text for the study of physiological acoustics and aesthetics. In it, Helmholtz applies physics, anatomy and physiology. He explains how tones are built from a base tone with upper partial tones, and his later discussions on consonance and musical scales develop this theory and discuss how the ear perceives these tones. His work on consonance and dissonance was of particular interest to composers and musicologists well into the twentieth century. This English translation, published in 1875 from the third German edition, retains the original's straightforward language, making this classic work accessible to non-specialists.
Illustrations: 65 b/w illus.
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
Some other items by this author:
A PLEA FOR PHOENETIC SPELLING
A PLEA FOR PHOENETIC SPELLING
A PLEA FOR PHOENETIC SPELLING (HB)
A PLEA FOR PHOENETIC SPELLING; OR, THE NECESSITY OF ORTHOGRAPHIC REFORM
A PLEA FOR PHONETIC SPELLING, OR THE NECESSITY OF ORTHOGRAPHIC REFORM (CLASSIC REPRINT) (PB)
A PLEA FOR PHONOTYPY AND PHONOGRAPHY
A PLEA FOR PHONOTYPY AND PHONOGRAPHY
A PLEA FOR PHONOTYPY AND PHONOGRAPHY, OR SPEECH-PRINTING AND SPEECH-WRITING (CLASSIC REPRINT)
BESSEL'S HYPSOMETRIC TABLES
BESSEL'S HYPSOMETRIC TABLES (HB)
CHARLIE''S HOUSE: A TALE FOR YOUNG CHILDR (HB)
CHARLIE'S HOUSE
CHARLIE'S HOUSE
CHARLIE'S HOUSE
CHARLIE'S HOUSE (HB)
CHAUCER SOCIETY (HB)
CHAUCER SOCIETY (HB)
CHAUCER SOCIETY...
CHAUCER SOCIETY...
EARLY ENGLISH PRONUNCIATION PART 2
EARLY ENGLISH PRONUNCIATION: PART III & IV (HB)
ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ENGLISH DIALECTS--THEIR SOUNDS AND HOMES
ENGLISH DIALECTS--THEIR SOUNDS AND HOMES; BEING AN ABRIDGMENT OF THE AUTHOR'S EXISTING PHONOLOGY OF ENGLISH DIALECTS, WHICH FORMS PART V. OF HIS EARLY ENGLISH PRONUNCIATION, WITH A SELECTION OF THE EXAMPLES REDUCED VOLUME 24, NO. 1
ENGLISH DIALECTS-THEIR SOUNDS AND HOMES (PB)
FIRST IDEAS OF RELIGION, IN CONVERSATIONS BETWEEN A MOTHER AND HER CHILD
FIRST IDEAS OF RELIGION, IN CONVERSATIONS BETWEEN A MOTHER AND HER CHILD (HB)
HISTORY OF MUSICAL PITCH (HB)
HISTORY OF MUSICAL PITCH (PB)
LOGIC FOR CHILDREN, DEDUCTIVE AND INDUCTIVE, THE SUBSTANCE OF TWO ADDRESSES TO TEACHERS
LOGIC FOR CHILDREN, DEDUCTIVE AND INDUCTIVE, THE SUBSTANCE OF TWO ADDRESSES TO TEACHERS...
LONDON INSTITUTION, ... CONVERSAZIONE ... SYLLABUS OF A LECTURE ON THE PRONUNCIATION OF ENGLISH IN THE SIXTEENTH, FOURTEENTH AND THIRTEENTH CENTURIES
LONDON INSTITUTION, ... CONVERSAZIONE ... SYLLABUS OF A LECTURE ON THE PRONUNCIATION OF ENGLISH IN THE SIXTEENTH, FOURTEENTH AND THIRTEENTH CENTURIES - SCHOLAR'S CHOICE EDITION
ON EARLY ENG PRONUNCIATION PART I & II (HB)
ON EARLY ENG PRONUNCIATION V (HB)
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION (CLASSIC REPRINT)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (HB)
ON EARLY ENGLISH PRONUNCIATION (VOLUME 1); WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE
ON EARLY ENGLISH PRONUNCIATION (VOLUME 3)
ON EARLY ENGLISH PRONUNCIATION (VOLUME 4)
ON EARLY ENGLISH PRONUNCIATION PART 1. ON THE PRONUNCIATION OF THE XIV TH, XVI TH, XVII AND XVIII TH CENTURIES
ON EARLY ENGLISH PRONUNCIATION PART 3
ON EARLY ENGLISH PRONUNCIATION VOLUME 1; WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY
ON EARLY ENGLISH PRONUNCIATION VOLUME 2-3; ON THE PRONUNCIATION OF THE XIVTH, XVITH, XVIITH, AND XVIIITH CENTURIES
ON EARLY ENGLISH PRONUNCIATION VOLUME 4; ILLUSTRATIONS OF THE PRONUNCIATION OF ENGLISH IN THE XVIITH, XVIIITH, AND XIXTH CENTURIES RECEIVED AMERICAN AND IRISH PRONUNCIATION OF ENGLISH. ABSTRACTS OF SCHMELLER'S TREATISE ON BAVARIAN DIALECTS, AND WINKLER
ON EARLY ENGLISH PRONUNCIATION VOLUME 5
ON EARLY ENGLISH PRONUNCIATION WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER: PART ONE, ON THE PRONUNCIATION OF THE FOURTEENTH, SIXTEENTH, SEVENT (PB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESP (PB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER (PB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER VOLUME 1; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATI
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER VOLUME 2
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER VOLUME 3; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATIO
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER VOLUME 5; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATIO
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 4
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 5
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, VOLUME 14; NO. 23
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, VOLUME 2; NO. 7
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER VOLUME 3; ILLUSTRATIONS OF THE PRONUNCIATION OF ENGLISH IN THE XVIITH, XVIIITH, AND XIXTH CENTURIES. LEDIARD, BONAPARTE, SCHMELER, WINKLER. RECEIVED AMERICAN AND IRISH PRONU
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATION (PB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND, FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 2
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SP
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 1
ON EARLY ENGLISH PRONUNCIATION, WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION: WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION; WITH SPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - PRIMARY SOURCE EDITION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - SCHOLAR'S CHOICE EDITION
ON THE BASIS OF MUSIC
ON THE BASIS OF MUSIC (PB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (HB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (PB)
ON THE HISTORY OF MUSICAL PITCH
ON THE HISTORY OF MUSICAL PITCH
ON THE MUSICAL SCALES OF VARIOUS NATIONS
ON THE SENSATIONS OF TONE - AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ORIGINAL NURSERY RHYMES (PB)
PENNSYLVANIA DUTCH
PENNSYLVANIA DUTCH (HB)
PLEA FOR PHOENETIC SPELLING
PRACTICAL HINTS ON THE QUANTITATIVE PRON (PB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN (HB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN, FOR THE USE OF CLASSICAL TEACHERS AND LINGUISTS (HB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN; FOR THE USE OF CLASSICAL TEACHERS AND LINGUISTS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS (HB)
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS : WITH ESPECIA (PB)
PRONUNCIATION FOR SINGERS: WITH ESPECIAL (HB)
ROMANIC EXERCISES FOR FONETIC PUPILZ (PB)
ROMANIC EXERCISES FOR PHONETIC PUPILS [PR. IN A PHONETIC ALPHABET]....
RULES AND REGULATIONS IN PRISONS IN IREL (PB)
SELF-PROVING EXAMPLES IN THE FOUR FIRST RULES OF ARITHMETIC, SIMPLE & COMPOUND
SELF-PROVING EXAMPLES IN THE FOUR FIRST RULES OF ARITHMETIC, SIMPLE & COMPOUND (HB)
SPEECH IN SONG
SPEECH IN SONG (HB)
SPEECH IN SONG (PB)
SPEECH IN SONG BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED (HB)
SPEECH IN SONG; BEING THE SINGER''S PRONO (PB)
SYLLABUS OF A LECTURE ON THE PRONUNCIATION OF ENGLISH IN THE SIXTEENTH, FOURTEENTH AND THIRTEENTH CENTURIES
SYLLABUS OF A LECTURE ON THE PRONUNCIATION OF ENGLISH IN THE SIXTEENTH, FOURTEENTH AND THIRTEENTH CENTURIES (HB)
TH E NU TESTAMENT OV OR LORD AND SAVYUR (PB)
TH E NU TESTAMENT OV OR LORD AND SAVYUR JEZUS KRIST, ACCORDING TU TH E OTURIZED VERZUN (HB)

TOP SELLERS IN THIS CATEGORY
Edexcel GCSE (9-1) Music Student Book (Paperback)
By: Jonny Martin, John Arkell
Pearson Education Limited
Our Price : £26.91
more details
Piano Exam Pieces 2023 & 2024, ABRSM Grade 1 (Sheet music)
By: ABRSM
Associated Board of the Royal Schools of Music
Our Price : £7.61
more details
Discovering Music Theory, The ABRSM Grade 2 Workbook (Sheet music)
By: ABRSM
Associated Board of the Royal Schools of Music
Our Price : £8.08
more details
Edexcel GCSE (9-1) Anthology of Music (Paperback)
By: Julia Winterson (Editor)
Pearson Education Limited
Our Price : £31.90
more details
Taylor Swift: Rise of an Icon (Paperback / softback)
By: Future Publishing
Future Publishing
Our Price : £16.06
more details
BROWSE FOR BOOKS IN RELATED CATEGORIES
 THE ARTS
 music


Information provided by www.pickabook.co.uk
SHOPPING BASKET
  
Your basket is empty
  Total Items: 0
 

NEW
Welcome to AI
By: MATTHIEU DUGAL
add to basket

Learning
Read Like a Ninja
By: ANDREW JENNINGS
add to basket

Learning
LEGO Harry Potter Visual Dictionary
By: DK
add to basket

Learning
Encyclopedia of Animals
By: JULES HOWARD
add to basket

Taylor Swift
Taylor Swift (Little People, Big Dreams)
By: MARIA ISABEL SANCHEZ VEGARA
Inspire kids with the glittering story of pop superstar Taylor Swift! This talented singer-songwriter started as a little country girl with a big dream to become a star.
add to basket

Taylor Swift
Look What You Made Me Do
By: KAT MCKENNA
add to basket

Euros
Road to the Euros (Ultimate Football Heroes): Collect them a...
By: MATT & TOM OLDFIELD
Get ready for Euro 2024!
add to basket

Picture Book
Bea''s Bad Day
By: TOM PERCIVAL
add to basket

Picture Book
School Run
By: REBECCA COBB
add to basket