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Item Details
Title: ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC NOTATION...
By: Alexander John Ellis, William Salesbury, Francis James Child (Creator)
Format: Paperback / softback

List price: £26.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 1247502546
ISBN 13: 9781247502540
Publisher: NABU PRESS
Pub. date: 5 October, 2011
Illustrations: black & white illustrations
Publication: US
Imprint: Nabu Press
Returns: Non-returnable
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CHARLIE''S HOUSE: A TALE FOR YOUNG CHILDR (HB)
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EARLY ENGLISH PRONUNCIATION PART 2
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EGLURYN PHRAETHINEB. SEBH, DOSPARTH AR RETOREG, VN OR SAITH GELBHYDHYD, YN DYSCULHUNIAITH YMADRODH, AI PHERTHYNASSAU (1595)
ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ENGLISH DIALECTS--THEIR SOUNDS AND HOMES
ENGLISH DIALECTS--THEIR SOUNDS AND HOMES; BEING AN ABRIDGMENT OF THE AUTHOR'S EXISTING PHONOLOGY OF ENGLISH DIALECTS, WHICH FORMS PART V. OF HIS EARLY ENGLISH PRONUNCIATION, WITH A SELECTION OF THE EXAMPLES REDUCED VOLUME 24, NO. 1
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FIRST IDEAS OF RELIGION, IN CONVERSATIONS BETWEEN A MOTHER AND HER CHILD
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HISTORY OF MUSICAL PITCH (HB)
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LOGIC FOR CHILDREN, DEDUCTIVE AND INDUCTIVE, THE SUBSTANCE OF TWO ADDRESSES TO TEACHERS
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ON EARLY ENGLISH PRONUNCIATION
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ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
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ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
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ON EARLY ENGLISH PRONUNCIATION
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ON EARLY ENGLISH PRONUNCIATION (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND, FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 2
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SP
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ON EARLY ENGLISH PRONUNCIATION, WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION: WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION; WITH SPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC
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ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - PRIMARY SOURCE EDITION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - SCHOLAR'S CHOICE EDITION
ON THE BASIS OF MUSIC
ON THE BASIS OF MUSIC (PB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (HB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (PB)
ON THE HISTORY OF MUSICAL PITCH
ON THE HISTORY OF MUSICAL PITCH
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ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ORIGINAL NURSERY RHYMES (PB)
PENNSYLVANIA DUTCH
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PLEA FOR PHOENETIC SPELLING
PRACTICAL HINTS ON THE QUANTITATIVE PRON (PB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN (HB)
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PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN; FOR THE USE OF CLASSICAL TEACHERS AND LINGUISTS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS (HB)
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS : WITH ESPECIA (PB)
PRONUNCIATION FOR SINGERS: WITH ESPECIAL (HB)
ROMANIC EXERCISES FOR FONETIC PUPILZ (PB)
ROMANIC EXERCISES FOR PHONETIC PUPILS [PR. IN A PHONETIC ALPHABET]....
RULES AND REGULATIONS IN PRISONS IN IREL (PB)
SELF-PROVING EXAMPLES IN THE FOUR FIRST RULES OF ARITHMETIC, SIMPLE & COMPOUND
SELF-PROVING EXAMPLES IN THE FOUR FIRST RULES OF ARITHMETIC, SIMPLE & COMPOUND (HB)
SPEECH IN SONG
SPEECH IN SONG (HB)
SPEECH IN SONG (PB)
SPEECH IN SONG BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED
SPEECH IN SONG. BEING THE SINGER'S PRONOUNCING PRIMER OF THE PRINCIPAL EUROPEAN LANGUAGES FOR WHICH VOCAL MUSIC IS USUALLY COMPOSED (HB)
SPEECH IN SONG; BEING THE SINGER''S PRONO (PB)
SYLLABUS OF A LECTURE ON THE PRONUNCIATION OF ENGLISH IN THE SIXTEENTH, FOURTEENTH AND THIRTEENTH CENTURIES

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