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Item Details
Title: MELODRAMA AND ASIAN CINEMA
By: Wimal Dissanayake (Editor), William Rothman, Dudley Andrew
Format: Hardback

List price: £88.99
Our price: £77.87
Discount:
12.5% off
You save: £11.12
ISBN 10: 0521414652
ISBN 13: 9780521414654
Availability: Usually dispatched within 1-3 weeks.
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 28 May, 1993
Series: Cambridge Studies in Film
Pages: 296
Description: This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia.
Synopsis: Cinema is a dominant force in the lives of many people living in Asia. A concept central to much of Asian film production is melodrama. This path-breaking study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines and Australia. Exploring the various ways that melodrama operates with theoretical sophistication, the various essays contained in this volume shed light on the different traditions of Asian cinema, as well as on the wider cultural discourse in which they participate.
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
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A COMPANION TO FRAN?OIS TRUFFAUT
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ASIAN CINEMA (HB)
ASIAN CINEMA (PB)
BREATHLESS (PB)
CAVELL ON FILM (HB)
CAVELL ON FILM (PB)
CELL BIOLOGY, DEVELOPMENT AND MORPHOGENESIS (HB)
CINEMA AND CULTURAL IDENTITY (HB)
CINEMA AND CULTURAL IDENTITY (PB)
COLONIALISM AND NATIONALISM IN ASIAN CINEMA
COLONIALISM AND NATIONALISM IN ASIAN CINEMA (HB)
CONTINUITY AND CHANGE IN COMMUNICATION SYSTEMS (HB)
DOCUMENTARY FILM CLASSICS
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DOCUMENTARY FILM CLASSICS (PB)
ENABLING TRADITIONS (PB)
FREDRIC JAMESON AND FILM THEORY
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FRENCH CINEMA: A VERY SHORT INTRODUCTION
FROM AAN TO LAGAAN AND BEYOND
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GLOBAL/LOCAL (HB)
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HITCHCOCK (HB)
HITCHCOCK (HB)
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HORROR FILM AND PSYCHOANALYSIS (HB)
INDIAN POPULAR CINEMA (PB)
INDIAN POPULAR CINEMA (PB)
INSIDE SOVIET FILM SATIRE (PB)
INTERPRETING THE MOVING IMAGE (PB)
JOHN HUSTON'S FILMMAKING (PB)
LOOKING WITH ROBERT GARDNER (HB)
LOOKING WITH ROBERT GARDNER (PB)
MELODRAMA AND ASIAN CINEMA
MELODRAMA AND ASIAN CINEMA (PB)
MISTS OF REGRET (PB)
MUST WE KILL THE THING WE LOVE?
MUST WE KILL THE THING WE LOVE? (HB)
MUST WE KILL THE THING WE LOVE? (PB)
NARRATIVES OF AGENCY (HB)
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NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT
NEWS MEDIA IN NATIONAL AND INTERNATIONAL CONFLICT (HB)
OPENING BAZIN (HB)
OPENING BAZIN (PB)
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA
POPULAR CULTURE IN A GLOBALISED INDIA (HB)
POPULAR CULTURE IN A GLOBALISED INDIA (PB)
POPULAR FRONT PARIS AND THE POETICS OF CULTURE (PB)
PROJECTING ILLUSION (PB)
READING CAVELL'S "THE WORLD VIEWED" (HB)
READING CAVELL'S "THE WORLD VIEWED" (PB)
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA
RETHINKING THIRD CINEMA (HB)
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ROLAND BARTHES' CINEMA (HB)
ROLAND BARTHES' CINEMA (PB)
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
ROUTLEDGE HANDBOOK OF INDIAN CINEMAS
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SAFETY CRIMES
SANSHO DAYU (SANSHO THE BAILIFF) (PB)
SANSHO DAYU SANSHO THE BAILIFF
SELF AND COLONIAL DESIRE (HB)
SELF AND DECEPTION (HB)
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SELF AS BODY IN ASIAN THEORY AND PRACTICE (HB)
SELF AS BODY IN ASIAN THEORY AND PRACTICE (PB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (HB)
SELF AS IMAGE IN ASIAN THEORY AND PRACTICE (PB)
SELF AS PERSON IN ASIAN THEORY AND PRACTICE (HB)
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SIGHTS OF CONTESTATION: LOCALISM, GLOBALISM AND CULTURAL PRODUCTION IN ASIA AND THE PACIFIC (PB)
THE "I" OF THE CAMERA (HB)
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THE BRITISH DOCUMENTARY FILM MOVEMENT, 1926-1946 (HB)
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THE GORGON'S GAZE (HB)
THE IMAGE IN DISPUTE (PB)
THE TASTE FOR BEAUTY (PB)
THEORIZING THE MOVING IMAGE (PB)
THREE DOCUMENTARY FILMMAKERS (HB)
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TRANSNATIONAL ASIA PACIFIC (PB)
WHAT CINEMA IS (HB)
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WONG KAR-WAI'S ASHES OF TIME (HB)
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