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Item Details
Title: ON THE HISTORY OF MUSICAL PITCH
By: Alexander John Ellis
Format: Paperback / softback

List price: £14.50


We believe that this item is permanently unavailable, and so we cannot source it.

ISBN 10: 1130121925
ISBN 13: 9781130121926
Publisher: RAREBOOKSCLUB.COM
Pub. date: 1 March, 2012
Pages: 66
Illustrations: black & white illustrations
Publication: US
Imprint: Rarebooksclub.com
Returns: Non-returnable
Some other items by this author:
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BESSEL'S HYPSOMETRIC TABLES
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CHARLIE''S HOUSE: A TALE FOR YOUNG CHILDR (HB)
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CHARLIE'S HOUSE
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CHAUCER SOCIETY (HB)
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CHAUCER SOCIETY...
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EARLY ENGLISH PRONUNCIATION PART 2
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ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ELEVENTH ANNUAL ADDRESS OF THE PRESIDENT, TO THE PHILOLOGICAL SOCIETY; DELIVERED AT THE ANNIVERSARY MEETING, FRIDAY, 19TH MAY, 1882
ENGLISH DIALECTS--THEIR SOUNDS AND HOMES
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ENGLISH DIALECTS--THEIR SOUNDS AND HOMES; BEING AN ABRIDGMENT OF THE AUTHOR'S EXISTING PHONOLOGY OF ENGLISH DIALECTS, WHICH FORMS PART V. OF HIS EARLY ENGLISH PRONUNCIATION, WITH A SELECTION OF THE EXAMPLES REDUCED VOLUME 24, NO. 1
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FIRST IDEAS OF RELIGION, IN CONVERSATIONS BETWEEN A MOTHER AND HER CHILD
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HISTORY OF MUSICAL PITCH (HB)
HISTORY OF MUSICAL PITCH (PB)
LOGIC FOR CHILDREN, DEDUCTIVE AND INDUCTIVE, THE SUBSTANCE OF TWO ADDRESSES TO TEACHERS
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ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
ON EARLY ENGLISH PRONUNCIATION
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER (HB)
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ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND, FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A VOLUME 2
ON EARLY ENGLISH PRONUNCIATION, WITH ESPECIAL REFERENCE TO SHAKSPERE AND CHAUCER; CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SP
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ON EARLY ENGLISH PRONUNCIATION: EXISTING (PB)
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ON EARLY ENGLISH PRONUNCIATION: WITH SPE (PB)
ON EARLY ENGLISH PRONUNCIATION; WITH SPECIAL REFERENCE TO SHAKESPEARE AND CHAUCER, CONTAINING AN INVESTIGATION OF THE CORRESPONDENCE OF WRITING WITH SPEECH IN ENGLAND FROM THE ANGLOSAXON PERIOD TO THE PRESENT DAY, PRECEDED BY A SYSTEMATIC
ON MUSICAL DUODENES, OR THE THEORY OF CO (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CO (PB)
ON MUSICAL DUODENES, OR THE THEORY OF CO (PB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION (HB)
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - PRIMARY SOURCE EDITION
ON MUSICAL DUODENES, OR THE THEORY OF CONSTRUCTING INSTRUMENTS WITH FIXED TONES IN JUST OR PRACTICALLY JUST INTONATION - SCHOLAR'S CHOICE EDITION
ON THE BASIS OF MUSIC
ON THE BASIS OF MUSIC (PB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (HB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (PB)
ON THE BASIS OF MUSIC: CONTAINING AN ELE (PB)
ON THE HISTORY OF MUSICAL PITCH
ON THE MUSICAL SCALES OF VARIOUS NATIONS
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOG (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (HB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC (PB)
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - PRIMARY SOURCE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY OF MUSIC - SCHOLAR'S CHOICE EDITION
ORIGINAL NURSERY RHYMES (PB)
PENNSYLVANIA DUTCH
PENNSYLVANIA DUTCH (HB)
PLEA FOR PHOENETIC SPELLING
PRACTICAL HINTS ON THE QUANTITATIVE PRON (PB)
PRACTICAL HINTS ON THE QUANTITATIVE PRON (PB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN (HB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN, FOR THE USE OF CLASSICAL TEACHERS AND LINGUISTS (HB)
PRACTICAL HINTS ON THE QUANTITATIVE PRONUNCIATION OF LATIN; FOR THE USE OF CLASSICAL TEACHERS AND LINGUISTS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS
PRONUNCIATION FOR SINGERS (PB)
PRONUNCIATION FOR SINGERS (HB)
PRONUNCIATION FOR SINGERS (PB)

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