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Item Details
Title: FESTIVE FUNERALS IN EARLY MODERN ITALY
THE ART AND CULTURE OF CONSPICUOUS COMMEMORATION
By: Minou Schraven, Dr. Allison Levy
Format: Hardback

List price: £145.00
Our price: £130.50
Discount:
10% off
You save: £14.50
ISBN 10: 0754665240
ISBN 13: 9780754665243
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 1 February, 2014
Pages: 338
Description: Interdisciplinary in scope, this book constitutes the first overview of the development of early modern papal funeral apparati, the temporary decorations used during the funeral masses in St Peter's. Drawing from a range of unpublished sources.
Synopsis: Celebrated at the heart of a notoriously unstable period, the Vacant See, papal funerals in early modern Rome easily fell prey to ceremonial chaos and disorder. Charged with maintaining decorum, papal Masters of Ceremonies supervised all aspects of the funeral, from the correct handling of the papal body to the construction of the funeral apparato: the temporary decorations used during the funeral masses in St Peter's. The visual and liturgical centre of this apparato was the chapelle ardente or castrum doloris: a baldachin-like structure standing over the body of the deceased, decorated with coats of arms, precious textiles and hundreds of burning candles. Drawing from printed festival books and previously unpublished sources, such as ceremonial diaries and diplomatic correspondence, this book offers the first comprehensive overview of the development of early modern funeral apparati. What was their function in funeral liturgy and early modern festival culture at large? How did the papal funeral apparati compare to those of cardinals, the Spanish and French monarchy, and the Medici court in Florence? And most importantly, how did contemporaries perceive and judge them?By the late sixteenth century, new trends in conspicuous commemoration had rendered the traditional papal funeral apparati in St Peter's obsolete. The author shows how papal families wishing to honor their uncles according to the new standards needed to invent ceremonial opportunities from scratch, showing off dynastic resilience, while modelling the deceased's memoria after carefully constructed ideals of post-Tridentine sainthood.
Illustrations: Includes 51 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
ALTARPIECES AND THEIR VIEWERS IN THE CHURCHES OF ROME FROM CARAVAGGIO TO GUIDO RENI (HB)
APOSTOLIC ICONOGRAPHY AND FLORENTINE CONFRATERNITIES IN THE AGE OF REFORM (HB)
ART AND THE RELIC CULT OF ST. ANTONINUS IN RENAISSANCE FLORENCE (HB)
ART, PIETY AND DESTRUCTION IN THE CHRISTIAN WEST, 1500-1700 (HB)
CARAVAGGIO (HB)
CUCKOLDRY, IMPOTENCE AND ADULTERY IN EUROPE, 15TH-17TH CENTURY (HB)
DEATH, TORTURE AND THE BROKEN BODY IN EUROPEAN ART, 1300-1650 (HB)
DOMESTIC INSTITUTIONAL INTERIORS IN EARLY MODERN EUROPE (HB)
EROTIC CULTURES OF RENAISSANCE ITALY (HB)
FAITH, GENDER AND THE SENSES IN ITALIAN RENAISSANCE AND BAROQUE ART (HB)
FESTIVE FUNERALS IN EARLY MODERN ITALY
FESTIVE FUNERALS IN EARLY MODERN ITALY
FESTIVE FUNERALS IN EARLY MODERN ITALY
FLEMISH AND DUTCH ARTISTS IN EARLY MODERN ENGLAND (HB)
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY (HB)
GENRE IMAGERY IN EARLY MODERN NORTHERN EUROPE (HB)
GUERCINO'S PAINTINGS AND HIS PATRONS' POLITICS IN EARLY MODERN ITALY (HB)
HOUSE OF SECRETS (PB)
IMAGING STUART FAMILY POLITICS (HB)
INGANNO - THE ART OF DECEPTION (HB)
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS (HB)
LEONE LEONI AND THE STATUS OF THE ARTIST AT THE END OF THE RENAISSANCE (HB)
MAKING AND MOVING SCULPTURE IN EARLY MODERN ITALY (HB)
MATERIAL BERNINI
MATERIAL BERNINI
MATERIAL BERNINI (HB)
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
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PALACE ENVY
PERFORMATIVITY AND PERFORMANCE IN BAROQUE ROME (HB)
PIETER BRUEGEL AND THE CULTURE OF THE EARLY MODERN DINNER PARTY (HB)
PIETER BRUEGEL THE ELDER (HB)
PLAYTHINGS IN EARLY MODERNITY (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (PB)
REFRAMING ALBRECHT DURER (HB)
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION (HB)
RETHINKING THE HIGH RENAISSANCE (HB)
SENSE AND THE SENSES IN EARLY MODERN ART AND CULTURAL PRACTICE (HB)
SEVENTEENTH-CENTURY FLEMISH GARLAND PAINTINGS (HB)
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY (HB)
SEX ACTS IN EARLY MODERN ITALY (PB)
SITING FEDERICO BAROCCI AND THE RENAISSANCE AESTHETIC (HB)
THE COURT ART OF FRIEDRICH SUSTRIS (HB)
THE CRISTOS YACENTES OF GREGORIO FERNANDEZ (HB)
THE CULT OF ST CLARE OF ASSISI IN EARLY MODERN ITALY (HB)
THE ENDURING LEGACY OF VENETIAN RENAISSANCE ART (HB)
THE ETHICS OF ORNAMENT IN EARLY MODERN NAPLES (HB)
THE FIGURATIVE WORKS OF CHEN HONGSHOU (1599-1652) (HB)
THE LATE PAINTINGS OF VELAZQUEZ (HB)
THE RELIGIOUS PAINTINGS OF HENDRICK TER BRUGGHEN (HB)
THE SPECTACLE OF CLOUDS, 1439-1650 (HB)
THE SPIRITUAL ROCOCO (HB)
THE TECHNOLOGY OF SALVATION AND THE ART OF GEERTGEN TOT SINT JANS (HB)
THE VIEWER AND THE PRINTED IMAGE IN LATE MEDIEVAL EUROPE (HB)
TITIAN, COLONNA AND THE RENAISSANCE SCIENCE OF PROCREATION (HB)
VASARI AND THE RENAISSANCE PRINT (HB)
VINCENZO SCAMOZZI AND THE CHOROGRAPHY OF EARLY MODERN ARCHITECTURE (HB)
VISUAL ACUITY AND THE ARTS OF COMMUNICATION IN EARLY MODERN GERMANY (HB)
VISUAL CULTURES OF FOUNDLING CARE IN RENAISSANCE ITALY (HB)
WOMEN, PATRONAGE, AND SALVATION IN RENAISSANCE FLORENCE (HB)
WRITING FASHION IN EARLY MODERN ITALY
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WRITING FASHION IN EARLY MODERN ITALY (HB)

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