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Item Details
Title: SENSE AND THE SENSES IN EARLY MODERN ART AND CULTURAL PRACTICE
By: Siv Tove Kulbrandstad Walker (Editor), Ms. Alice E. Sanger (Editor), Dr. Allison Levy
Format: Hardback

List price: £155.00
Our price: £139.50
Discount:
10% off
You save: £15.50
ISBN 10: 1409400042
ISBN 13: 9781409400042
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 21 June, 2012
Series: Visual Culture in Early Modernity
Pages: 276
Description: Employing a wide range of approaches from various disciplines, this volume explores the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual.
Synopsis: Employing a wide range of approaches from various disciplines, contributors to this volume explore the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual. Sense and the Senses in Early Modern Art and Cultural Practice investigates how the faculties of sight, hearing, touch, taste and smell were made to perform in a range of guises in early modern cultural practice: as agents of indulgence and pleasure, as bearers of information on material reality, as mediators between the mind and the outer world, and even as intercessors between humans and the divine. The volume examines not only aspects of the arts of painting and sculpture but also extends into other spheres: philosophy, music and poetry, gardens, food, relics and rituals. Collectively, the essays gathered here form a survey of key debates and practices attached to the theme of the senses in Renaissance and Baroque art and cultural practice.
Illustrations: Includes 49 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
ALTARPIECES AND THEIR VIEWERS IN THE CHURCHES OF ROME FROM CARAVAGGIO TO GUIDO RENI (HB)
APOSTOLIC ICONOGRAPHY AND FLORENTINE CONFRATERNITIES IN THE AGE OF REFORM (HB)
ART AND THE RELIC CULT OF ST. ANTONINUS IN RENAISSANCE FLORENCE (HB)
ART, GENDER AND RELIGIOUS DEVOTION IN GRAND DUCAL TUSCANY
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ART, PIETY AND DESTRUCTION IN THE CHRISTIAN WEST, 1500-1700 (HB)
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CUCKOLDRY, IMPOTENCE AND ADULTERY IN EUROPE, 15TH-17TH CENTURY (HB)
DEATH, TORTURE AND THE BROKEN BODY IN EUROPEAN ART, 1300-1650 (HB)
DOMESTIC INSTITUTIONAL INTERIORS IN EARLY MODERN EUROPE (HB)
EROTIC CULTURES OF RENAISSANCE ITALY (HB)
FAITH, GENDER AND THE SENSES IN ITALIAN RENAISSANCE AND BAROQUE ART (HB)
FESTIVE FUNERALS IN EARLY MODERN ITALY (HB)
FLEMISH AND DUTCH ARTISTS IN EARLY MODERN ENGLAND (HB)
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
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GENRE IMAGERY IN EARLY MODERN NORTHERN EUROPE (HB)
GUERCINO'S PAINTINGS AND HIS PATRONS' POLITICS IN EARLY MODERN ITALY (HB)
HOUSE OF SECRETS (PB)
IMAGING STUART FAMILY POLITICS (HB)
INGANNO - THE ART OF DECEPTION (HB)
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS (HB)
LEONE LEONI AND THE STATUS OF THE ARTIST AT THE END OF THE RENAISSANCE (HB)
MAKING AND MOVING SCULPTURE IN EARLY MODERN ITALY (HB)
MATERIAL BERNINI
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OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR (HB)
PALACE ENVY
PERFORMATIVITY AND PERFORMANCE IN BAROQUE ROME (HB)
PIETER BRUEGEL AND THE CULTURE OF THE EARLY MODERN DINNER PARTY (HB)
PIETER BRUEGEL THE ELDER (HB)
PLAYTHINGS IN EARLY MODERNITY (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (PB)
REFRAMING ALBRECHT DURER (HB)
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION
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RETHINKING THE HIGH RENAISSANCE (HB)
SEVENTEENTH-CENTURY FLEMISH GARLAND PAINTINGS (HB)
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
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SEX ACTS IN EARLY MODERN ITALY (PB)
SITING FEDERICO BAROCCI AND THE RENAISSANCE AESTHETIC (HB)
THE COURT ART OF FRIEDRICH SUSTRIS (HB)
THE CRISTOS YACENTES OF GREGORIO FERNANDEZ (HB)
THE CULT OF ST CLARE OF ASSISI IN EARLY MODERN ITALY (HB)
THE ENDURING LEGACY OF VENETIAN RENAISSANCE ART (HB)
THE ETHICS OF ORNAMENT IN EARLY MODERN NAPLES (HB)
THE FIGURATIVE WORKS OF CHEN HONGSHOU (1599-1652) (HB)
THE LATE PAINTINGS OF VELAZQUEZ (HB)
THE RELIGIOUS PAINTINGS OF HENDRICK TER BRUGGHEN (HB)
THE SPECTACLE OF CLOUDS, 1439-1650 (HB)
THE SPIRITUAL ROCOCO (HB)
THE TECHNOLOGY OF SALVATION AND THE ART OF GEERTGEN TOT SINT JANS (HB)
THE VIEWER AND THE PRINTED IMAGE IN LATE MEDIEVAL EUROPE (HB)
TITIAN, COLONNA AND THE RENAISSANCE SCIENCE OF PROCREATION (HB)
VASARI AND THE RENAISSANCE PRINT (HB)
VINCENZO SCAMOZZI AND THE CHOROGRAPHY OF EARLY MODERN ARCHITECTURE (HB)
VISUAL ACUITY AND THE ARTS OF COMMUNICATION IN EARLY MODERN GERMANY (HB)
VISUAL CULTURES OF FOUNDLING CARE IN RENAISSANCE ITALY (HB)
WOMEN, PATRONAGE, AND SALVATION IN RENAISSANCE FLORENCE (HB)
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