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Item Details
Title: CARAVAGGIO
REFLECTIONS AND REFRACTIONS
By: Lorenzo Pericolo (Editor), David M. Stone (Editor), Dr. Allison Levy
Format: Hardback

List price: £135.00
Our price: £121.50
Discount:
10% off
You save: £13.50
ISBN 10: 1409406849
ISBN 13: 9781409406846
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 28 June, 2014
Series: Visual Culture in Early Modernity
Pages: 392
Description: As this collection makes clear, the paths to grasping the complexity of Caravaggio's art are multiple and variable. Offering new or recently updated interpretations of the works of Caravaggio and the Caravaggisti, this book deals with all the major aspects of Caravaggio's paintings: technique, creative process, religious context.
Synopsis: As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio's art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio's paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio's legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Illustrations: Includes 15 colour and 109 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
ALTARPIECES AND THEIR VIEWERS IN THE CHURCHES OF ROME FROM CARAVAGGIO TO GUIDO RENI (HB)
APOSTOLIC ICONOGRAPHY AND FLORENTINE CONFRATERNITIES IN THE AGE OF REFORM (HB)
ART AND THE RELIC CULT OF ST. ANTONINUS IN RENAISSANCE FLORENCE (HB)
ART, PIETY AND DESTRUCTION IN THE CHRISTIAN WEST, 1500-1700 (HB)
CARAVAGGIO (PB)
CARAVAGGIO AND PICTORIAL NARRATIVE
CUCKOLDRY, IMPOTENCE AND ADULTERY IN EUROPE, 15TH-17TH CENTURY (HB)
DEATH, TORTURE AND THE BROKEN BODY IN EUROPEAN ART, 1300-1650 (HB)
DOMESTIC INSTITUTIONAL INTERIORS IN EARLY MODERN EUROPE (HB)
EROTIC CULTURES OF RENAISSANCE ITALY (HB)
FAITH, GENDER AND THE SENSES IN ITALIAN RENAISSANCE AND BAROQUE ART (HB)
FELSINA PITTRICE (HB)
FELSINA PITTRICE (HB)
FELSINA PITTRICE = (HB)
FESTIVE FUNERALS IN EARLY MODERN ITALY (HB)
FLEMISH AND DUTCH ARTISTS IN EARLY MODERN ENGLAND (HB)
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY (HB)
GENRE IMAGERY IN EARLY MODERN NORTHERN EUROPE (HB)
GUERCINO''S FRIAR WITH A GOLD EARRING (PB)
GUERCINO'S PAINTINGS AND HIS PATRONS' POLITICS IN EARLY MODERN ITALY (HB)
GUERCINO, MASTER DRAFTSMAN (HB)
HOUSE OF SECRETS (PB)
IMAGING STUART FAMILY POLITICS (HB)
INGANNO - THE ART OF DECEPTION (HB)
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS (HB)
LEONE LEONI AND THE STATUS OF THE ARTIST AT THE END OF THE RENAISSANCE (HB)
MAKING AND MOVING SCULPTURE IN EARLY MODERN ITALY (HB)
MATERIAL BERNINI
MATERIAL BERNINI
MATERIAL BERNINI (HB)
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR (HB)
PALACE ENVY
PERFORMATIVITY AND PERFORMANCE IN BAROQUE ROME (HB)
PIETER BRUEGEL AND THE CULTURE OF THE EARLY MODERN DINNER PARTY (HB)
PIETER BRUEGEL THE ELDER (HB)
PLAYTHINGS IN EARLY MODERNITY (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (PB)
REFRAMING ALBRECHT DURER (HB)
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION (HB)
RETHINKING THE HIGH RENAISSANCE (HB)
SENSE AND THE SENSES IN EARLY MODERN ART AND CULTURAL PRACTICE (HB)
SEVENTEENTH-CENTURY FLEMISH GARLAND PAINTINGS (HB)
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY (HB)
SEX ACTS IN EARLY MODERN ITALY (PB)
SITING FEDERICO BAROCCI AND THE RENAISSANCE AESTHETIC (HB)
SUBJECT AS APORIA IN EARLY MODERN ART (HB)
THE COURT ART OF FRIEDRICH SUSTRIS (HB)
THE CRISTOS YACENTES OF GREGORIO FERNANDEZ (HB)
THE CULT OF ST CLARE OF ASSISI IN EARLY MODERN ITALY (HB)
THE ENDURING LEGACY OF VENETIAN RENAISSANCE ART (HB)
THE ETHICS OF ORNAMENT IN EARLY MODERN NAPLES (HB)
THE FIGURATIVE WORKS OF CHEN HONGSHOU (1599-1652) (HB)
THE LATE PAINTINGS OF VELAZQUEZ (HB)
THE RELIGIOUS PAINTINGS OF HENDRICK TER BRUGGHEN (HB)
THE SPECTACLE OF CLOUDS, 1439-1650 (HB)
THE SPIRITUAL ROCOCO (HB)
THE TECHNOLOGY OF SALVATION AND THE ART OF GEERTGEN TOT SINT JANS (HB)
THE VIEWER AND THE PRINTED IMAGE IN LATE MEDIEVAL EUROPE (HB)
TITIAN, COLONNA AND THE RENAISSANCE SCIENCE OF PROCREATION (HB)
VASARI AND THE RENAISSANCE PRINT (HB)
VINCENZO SCAMOZZI AND THE CHOROGRAPHY OF EARLY MODERN ARCHITECTURE (HB)
VISUAL ACUITY AND THE ARTS OF COMMUNICATION IN EARLY MODERN GERMANY (HB)
VISUAL CULTURES OF FOUNDLING CARE IN RENAISSANCE ITALY (HB)
WOMEN, PATRONAGE, AND SALVATION IN RENAISSANCE FLORENCE (HB)
WRITING FASHION IN EARLY MODERN ITALY
WRITING FASHION IN EARLY MODERN ITALY
WRITING FASHION IN EARLY MODERN ITALY (HB)

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