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Item Details
Title: VISUAL ACUITY AND THE ARTS OF COMMUNICATION IN EARLY MODERN GERMANY
By: Jeffrey Chipps Smith (Editor), Dr. Allison Levy
Format: Hardback

List price: £135.00
Our price: £121.50
Discount:
10% off
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ISBN 10: 1472435877
ISBN 13: 9781472435873
Availability: Usually dispatched within 1-3 weeks.
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Publisher: TAYLOR & FRANCIS LTD
Pub. date: 11 December, 2014
Series: Visual Culture in Early Modernity
Pages: 248
Description: During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information. Religious propagandists, political writers, satirists, cartographers, the scientific community, and others experimented with uses of visual images. Artists.
Synopsis: During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information. Religious propagandists, political writers, satirists, cartographers, the scientific community, and others experimented with new uses of visual images. Artists, writers, preachers, musicians, and performers, among others, often employed visual images or conjured mental images to connect with their audiences. Contributors to this interdisciplinary collection creatively explore how the exponential growth in images, especially prints, impacted the intellectual horizons and the visual awareness of viewers in early modern Germany. Each of the chapters serves as a case study for one or more of the volume's sub-themes: art, visual literacy, and strategies of presentation; audience and the art of persuasion; the art of envisioning; the ephemeral arts and theatricality; the built environment and spatial settings; and the history of the visual.
Publication: UK
Imprint: Routledge
Returns: Returnable
Some other items by this author:
ALBRECHT DURER AND THE EMBODIMENT OF GENIUS (HB)
ALBRECHT DURER''S AFTERLIFE (HB)
ALTARPIECES AND THEIR VIEWERS IN THE CHURCHES OF ROME FROM CARAVAGGIO TO GUIDO RENI (HB)
APOSTOLIC ICONOGRAPHY AND FLORENTINE CONFRATERNITIES IN THE AGE OF REFORM (HB)
ART AND THE RELIC CULT OF ST. ANTONINUS IN RENAISSANCE FLORENCE (HB)
ART, PIETY AND DESTRUCTION IN THE CHRISTIAN WEST, 1500-1700 (HB)
CARAVAGGIO (HB)
CUCKOLDRY, IMPOTENCE AND ADULTERY IN EUROPE, 15TH-17TH CENTURY (HB)
DEATH, TORTURE AND THE BROKEN BODY IN EUROPEAN ART, 1300-1650 (HB)
DOMESTIC INSTITUTIONAL INTERIORS IN EARLY MODERN EUROPE (HB)
DURER (PB)
EROTIC CULTURES OF RENAISSANCE ITALY (HB)
FAITH, GENDER AND THE SENSES IN ITALIAN RENAISSANCE AND BAROQUE ART (HB)
FESTIVE FUNERALS IN EARLY MODERN ITALY (HB)
FLEMISH AND DUTCH ARTISTS IN EARLY MODERN ENGLAND (HB)
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY
FOOD AND KNOWLEDGE IN RENAISSANCE ITALY (HB)
GENRE IMAGERY IN EARLY MODERN NORTHERN EUROPE (HB)
GUERCINO'S PAINTINGS AND HIS PATRONS' POLITICS IN EARLY MODERN ITALY (HB)
HOUSE OF SECRETS (PB)
IMAGING STUART FAMILY POLITICS (HB)
INGANNO - THE ART OF DECEPTION (HB)
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS (HB)
LEONE LEONI AND THE STATUS OF THE ARTIST AT THE END OF THE RENAISSANCE (HB)
MAKING AND MOVING SCULPTURE IN EARLY MODERN ITALY (HB)
MATERIAL BERNINI
MATERIAL BERNINI
MATERIAL BERNINI (HB)
NUREMBERG (HB)
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR
OLD WOMEN AND ART IN THE EARLY MODERN ITALIAN DOMESTIC INTERIOR (HB)
PALACE ENVY
PERFORMATIVITY AND PERFORMANCE IN BAROQUE ROME (HB)
PIETER BRUEGEL AND THE CULTURE OF THE EARLY MODERN DINNER PARTY (HB)
PIETER BRUEGEL THE ELDER (HB)
PLAYTHINGS IN EARLY MODERNITY (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE (PB)
REFRAMING ALBRECHT DURER (HB)
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION
RENAISSANCE THEORIES OF VISION (HB)
RETHINKING THE HIGH RENAISSANCE (HB)
SENSE AND THE SENSES IN EARLY MODERN ART AND CULTURAL PRACTICE (HB)
SENSUOUS WORSHIP (HB)
SEVENTEENTH-CENTURY FLEMISH GARLAND PAINTINGS (HB)
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY (HB)
SEX ACTS IN EARLY MODERN ITALY (PB)
SITING FEDERICO BAROCCI AND THE RENAISSANCE AESTHETIC (HB)
THE ART OF THE GOLDSMITH IN LATE FIFTEENTH-CENTURY GERMANY (PB)
THE COURT ART OF FRIEDRICH SUSTRIS (HB)
THE CRISTOS YACENTES OF GREGORIO FERNANDEZ (HB)
THE CULT OF ST CLARE OF ASSISI IN EARLY MODERN ITALY (HB)
THE ENDURING LEGACY OF VENETIAN RENAISSANCE ART (HB)
THE ESSENTIAL DURER
THE ESSENTIAL DURER (HB)
THE ESSENTIAL DURER (PB)
THE ETHICS OF ORNAMENT IN EARLY MODERN NAPLES (HB)
THE FIGURATIVE WORKS OF CHEN HONGSHOU (1599-1652) (HB)
THE LATE PAINTINGS OF VELAZQUEZ (HB)
THE LIFE AND ART OF ALBRECHT DURER (PB)
THE NORTHERN RENAISSANCE (PB)
THE RELIGIOUS PAINTINGS OF HENDRICK TER BRUGGHEN (HB)
THE SPECTACLE OF CLOUDS, 1439-1650 (HB)
THE SPIRITUAL ROCOCO (HB)
THE TECHNOLOGY OF SALVATION AND THE ART OF GEERTGEN TOT SINT JANS (HB)
THE VIEWER AND THE PRINTED IMAGE IN LATE MEDIEVAL EUROPE (HB)
TITIAN, COLONNA AND THE RENAISSANCE SCIENCE OF PROCREATION (HB)
VASARI AND THE RENAISSANCE PRINT (HB)
VINCENZO SCAMOZZI AND THE CHOROGRAPHY OF EARLY MODERN ARCHITECTURE (HB)
VISUAL CULTURES OF FOUNDLING CARE IN RENAISSANCE ITALY (HB)
WOMEN, PATRONAGE, AND SALVATION IN RENAISSANCE FLORENCE (HB)
WRITING FASHION IN EARLY MODERN ITALY
WRITING FASHION IN EARLY MODERN ITALY
WRITING FASHION IN EARLY MODERN ITALY (HB)

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