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Item Details
Title: THE SPECTACLE OF CLOUDS, 1439-1650
ITALIAN ART AND THEATRE
By: Alessandra Buccheri, Dr. Allison Levy
Format: Hardback

List price: £135.00
Our price: £121.50
Discount:
10% off
You save: £13.50
ISBN 10: 1472418832
ISBN 13: 9781472418838
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 19 December, 2014
Series: Visual Culture in Early Modernity
Pages: 216
Description: The Spectacle of Clouds examines the different ways Heaven has been conceived and represented from the 15th to the 17th century, crossing over into the fields of history, religion and philosophy. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers.
Synopsis: The studies in which history of art and theatre are considered together are few, and none to date investigate the evolution of the representation of clouds from the early Renaissance to the Baroque period. This book reconsiders the origin of Italian Renaissance and Baroque cloud compositions while including the theatrical tradition as one of their most important sources. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and relevant treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy's visual culture. The book also offers new insights into Leonardo da Vinci's theatrical works, Raphael's Disputa, Vasari's Lives, and Pietro da Cortona's fresco paintings. The Spectacle of Clouds, 1439-1650 examines the different ways Heaven has been conceived, imagined and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy.
Illustrations: Includes 55 b&w illustrations
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
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GUERCINO'S PAINTINGS AND HIS PATRONS' POLITICS IN EARLY MODERN ITALY (HB)
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IMAGING STUART FAMILY POLITICS (HB)
INGANNO - THE ART OF DECEPTION (HB)
LEON BATTISTA ALBERTI AND NICHOLAS CUSANUS
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LEONE LEONI AND THE STATUS OF THE ARTIST AT THE END OF THE RENAISSANCE (HB)
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PALACE ENVY
PERFORMATIVITY AND PERFORMANCE IN BAROQUE ROME (HB)
PIETER BRUEGEL AND THE CULTURE OF THE EARLY MODERN DINNER PARTY (HB)
PIETER BRUEGEL THE ELDER (HB)
PLAYTHINGS IN EARLY MODERNITY (HB)
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
RE-MEMBERING MASCULINITY IN EARLY MODERN FLORENCE
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REFRAMING ALBRECHT DURER (HB)
RENAISSANCE THEORIES OF VISION
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RETHINKING THE HIGH RENAISSANCE (HB)
SENSE AND THE SENSES IN EARLY MODERN ART AND CULTURAL PRACTICE (HB)
SEVENTEENTH-CENTURY FLEMISH GARLAND PAINTINGS (HB)
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
SEX ACTS IN EARLY MODERN ITALY
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SITING FEDERICO BAROCCI AND THE RENAISSANCE AESTHETIC (HB)
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THE CULT OF ST CLARE OF ASSISI IN EARLY MODERN ITALY (HB)
THE ENDURING LEGACY OF VENETIAN RENAISSANCE ART (HB)
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THE FIGURATIVE WORKS OF CHEN HONGSHOU (1599-1652) (HB)
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THE SPECTACLE OF CLOUDS, 1439-1650 (PB)
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VINCENZO SCAMOZZI AND THE CHOROGRAPHY OF EARLY MODERN ARCHITECTURE (HB)
VISUAL ACUITY AND THE ARTS OF COMMUNICATION IN EARLY MODERN GERMANY (HB)
VISUAL CULTURES OF FOUNDLING CARE IN RENAISSANCE ITALY (HB)
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WRITING FASHION IN EARLY MODERN ITALY
WRITING FASHION IN EARLY MODERN ITALY (HB)

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